The year 2020 is here and if you are reading this message, we thank you for being with us and wish you a very Happy New Year!

This year has a special significance for Kitaab: we celebrate our 15th anniversary. That’s a relatively long time in the life of a webzine in this day and age of short attention spans, isn’t it?

Well, we are not patting ourselves on the back but please allow us to take us down the memory lane for a while to appreciate why we feel how we feel at this juncture of time.


By Haimanti Dutta Ray


People gathered at Oxford Bookstore, Kolkata, on the evening of the 3rd of May, disregarding the Meteorological Office’s predictions of the impending cyclone, Fani. The occasion was the book launch of the acclaimed film director, music director and cinematographer, Gautam Ghose, and the subsequent panel discussion lined with luminaries from the literary as well as cinematic circles. The book, Beyond The Himalayas: Journeying Through The Silk Route, has been co-authored by producer and writer Michael Haggiag.

The panellists for the evening included renowned actress and film-maker Aparna Sen; novelist Kunal Basu whose The Japanese Wife was made into a film; former diplomat and essayist Jawhar Sircar; critic and editor Samik Bandopadhay, who is also known for his translations of works by noted playwright Badal Sircar and celebrated author Mahasweta Devi; and film scholar Jagannath Guha. Guha had accompanied Ghose on his expedition along the famous Silk Route. Gautam Ghose had made his documentary in 1996 based on the journey he had undertaken. The film was also named Beyond The Himalayas.

Gautam Ghose, the recipient of many national and international awards, including a knighthood from Star of Italian Solidarity, thanked all the persons who had worked tirelessly with him to bring out the book. He especially mentioned his co-author, Michael Haggiag. Haggiag was not present for the occasion. Ghose said that the idea for the book came to him when he re-discovered the negatives of the Silk Route lying at the bottom of his cupboard. The 14,000 km journey they made in1994 took them through Central Asia, China and Tibet. They journeyed through a number of places like Bukhara, Tashkent and Samarkand.

By Pallavi Narayan

Kunal BasuKunal Basu exudes warmth as one listens to him speak about his work privately or on stage. Even over email, I feel connected with this affable author of historical fiction whose writing encompasses disparate subjects with seeming ease. His first novel, The Opium Clerk, is set in the time of the Indian Mutiny of 1857. The Miniaturist transports the reader to the landscape of the court painters of the Mughals in the sixteenth century. Racists, a novel set in the Victorian period, deals with two infants—one black and the other white—left to grow up on a deserted island and prove, definitively, the superiority of race, was nominated for the Crossword Book Awards in 2006. Lisbon and Peking of the late nineteenth century dance in vivid description woven into the narrative in The Yellow Emperor’s Cure, which delves into traditional Chinese healing techniques versus Western medicine. His recent novel Kalkatta draws the reader into the shadowy everyday life of the gigolo in the crumbling Kolkata of migrants set against the glittering city of the elite, established Kalkatta-wallahs. The critically acclaimed film The Japanese Wife is based on the title story of his collection of short stories.

In elegant, descriptive prose, Basu transforms the strange into the familiar. A teaching and research fellow at the University of Oxford, he has published extensively in the areas of branding, marketing, consumer behaviour and advertising. He identifies most closely, however, with his fiction, in the writing of which, he asserts, he connects with the world.

What moves you to write?

The lure of the written word, I suppose. Having grown up with a mother who was an author and a publisher father, I was infected very early. As a voracious reader, I marvel entering an author’s mind and deciphering the thrill of creativity. Personally, I find nothing more exciting than this inward journey. Also, it’s the only way I know to connect with the world around me—both the euphoria and the disenchantments of life—raising my pen against injustice and inequality, or to celebrate the marvels of humanity.