Shahnaz Bashir was born and brought up in Kashmir. His widely reviewed and critically lauded debut novel The Half Mother won the Muse India Young Writer Award 2015. His short fiction, memoir essays, poetry and reportage have been widely published and anthologised.
Shahnaz teaches narrative journalism and conflict reporting at the Central University of Kashmir, Srinagar. He is a university gold medalist in journalism and was also awarded the prestigious Shamim Ahmad Shamim Memorial Kashmir Times Award 2007. His second book Scattered Souls, a collection of interlinked stories, has just been published by Fourth Estate HarperCollins. He is currently working on his third book.
Shahnaz Bashir’s two evocative poems on Kashmir’s present where stones write the elegy of loss and newspapers announce news of more massacres yet speak of an undying hope.
Dusty, calloused hands of hope write
Heavy, hard sentences of stones
And throw them
Word by word,
On the streets and lanes and by-lanes of a paper.
They fall off the paper and heap up—powdered words:
Detritus of truth, the alphabets of stones.
Strewn at crossroads and near spiked iron barricades
That guard the barbarians of the strife-torn city
Who are even afraid of the stones of tombstones,
Yet order gouging out of eyes of dreams
To deconstruct the stones.
In the darkness the guardians of dead conscience
Search for clues of pens—nab nibs,
Soiled with motes of words,
Battered words that distort even the stones.
Trailing after the lost voice of the fugitive ink,
Spirit of the bullets breaks where
They shatter the hearts of stones.
From each hand that has thrown words,
Come the cries of wounded stones:
Tears of stones, blood of stones.
They throw them stone by stone,
In the memory of stones.
And from each eye that sheds stones,
And each lip that croons,“stones,”
Come these amorphous words.
Each stone is a word, petrified,
In each hand that smells of freedom.
Celebrated writer Shahnaz Bashir has won “Talent of the Year” Award for 2017. The Citizen’s “Talent of the Year” is […]
By Aminah Sheikh
Let’s get down to brass tacks. Why do you write?
My basic instinct is to write. Of course, a cause, money, adulation and fame are what writers write for but they can’t happen without the instinct. The vent that I need to articulate the deepest levels of my consciousness drives me to write. When not writing, I sing; I sing well.
Tell us about your most recent book or writing project. What were you trying to say or achieve with it?
My most recent book is Scattered Souls. It is a collection of 13 interlinked stories which makes it a novel as well. The connections between the stories have been determined by the interdependent diversity in suffering that run through disparate, scattered individuals as a thread, enabling each character a full role in relation to the other. But that is not how it was planned. It emerged while writing them.
The conflict situation in Kashmir is extraordinary. The stories try to evince what ordinary means to a people living (read suffering) in an extraordinary situation.
Describe your writing aesthetic.
Primarily, I’m fond of experimenting with diverse formats. I also like to punctuate the narration with real elements like a letter, an ad, a song, a poem, a list, a symbol and so on. I don’t like tight climax-plots but loose-ended plots to my stories with a multi-plot embedded throughout. I like a matter-of-fact, poetic, stream-of-consciousness, compact narration generally and above all. My stories would stand alone as well as converge, with certain elements, into each other. I am fond of nouns and verbs mostly, in verbing of nouns and adjectives as tiny metaphors. I don’t approve of fiction which is written only to explore the possibilities of language not ideas. I don’t like too much of aesthetic that fails to torture the language and holds it back from telling the latent truth.