How Guru Nanak and Chishti sang in Harmony1 min read
By Sameer Arshad Khatlani
Poet-philosopher Muhammad Iqbal’s “tremendous work”, wrote German writer Hermann Hesse (1877–1962), belonged to the world of Islam apart from two other domains of the worlds of India, and of Western thought. In his book Incarnations, academic Sunil Khilnani echoes Hesse and notes that Iqbal (1877-1938) was “deeply engaged with the histories, themes, and conflicts embedded in Islamic thought and in literary traditions that fired his imagination”.
Islam was certainly an important theme of Iqbal’s poetry. But he also wrote about important figures of other religions glowingly in the spirit of his famous couplet: “Mazhab nahin sikhata aapas mei bair rakhna, Hindi hai ham vatan hai Hindustan hamara”*. “Hai Ram ke vajud pe Hindustan ko naaz, ahl-e-nazar samajhte hain is ko imam-e-hind,’’** wrote Iqbal, highlighting the reverence a vast majority of Indians treated Lord Ram with.
But of all the non-Islamic religious icons, Iqbal perhaps wrote most admiringly about Sikhism founder Guru Nanak, whom he hailed as “mard-e kaamil [perfect man]”. His poem titled Nanak starts with a lament that “our people paid no heed to the message of Gautam [Buddha]”; did not recognise the worth of that “jewel of supreme wisdom”. It then refers to Nanak and says the perfect man “awakened Hind [India] from a deep slumber”.
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