Book Review by Gracy Samjetsabam
Title: The Assassination of Indira Gandhi
Author: Upamanyu Chatterjee
Publisher: Speaking Tiger, 2019
The Assassination of Indira Gandhi (2019) is a collection of short stories on different themes and motifs by acclaimed writer Upamanyu Chatterjee. Winner of the prestigious Indian Sahitya Akademi Award and the French Officier des Arts et des Lettres, his debut novel, English August: An Indian Story, was made into a highly successful film.
The title of his new book, The Assassination of Indira Gandhi, is at once striking, for it echoes a dark chapter in 20th century history, the assassination of one of India’s most iconic prime ministers and the social tensions that followed within the country. The title aptly sets the tone for the stories that are a tour de force of the trials and tribulations of modern India’s journey. This assortment of twelve short stories covers diverse themes and settings, each one of them, delving into the issues that strike at the heart of the emerging idea of India.
Reviewed by Debraj Mookerjee
Title: The Revenge of the Non-vegetarian
Author: Upamanyu Chatterjee
Publisher: Speaking Tiger; 2018
Some book titles are a giveaway. Given the political climate in India today, with so many conversations centred on the subject of meat eating, one might be forgiven for assuming that The Revenge of the Non-vegetarian, Upamanyu Chatterjee’s seventh book, a novella, is a satirical take on contemporary India. In English August(1988), and in The Mammaries of the Welfare State (2000), Chatterjee’s pen is acerbic, and educated-middle-class-privilege tipped, displaying a wit that wafts out of the 1970s generation in mainstream Delhi University. The temptation is to assume that Non-vegetarian presents more of the same. It does not. It is a sombre story, set in a small town (Batia) in early post-Independence India, and told with uncharacteristic restraint.
The Revenge of the Non-vegetarian features Agastya Sen’s father (who we met in English, August, writing peremptory letters to his ennui-stricken son), and hearkens back to an older milieu, both in terms of the frame, and in the person of Madhusudan Sen, ICS, sub-divisional magistrate in the small town of Batia. The murder of six people who Sen considers friends, or the murderer that sparks the tale of revenge, present little mystery. The suspense is built by the narrative that unfolds from the edges of the grim event and the role Sen plays in giving shape to it over a period in time with issues swiveling around death penalty. Unlike his spiritually dispirited son from the celebrated debut novel, in this somewhat less ambitious novella, Sen is self-possessed, intellectually restrained, committed to the world in which he enjoys the trappings of state power, and a steadfast friend.