The Best Asian Short Stories- 2017 : A collection of stories by Asia’s best known contemporary writers is now available as an e-book. As an introductory offer, you can grab a copy of this book from Amazon at 40% discount!
Published by Kitaab, conceptualized by series editor Zafar Anjum and edited by Monideepa Sahu, the Best Asian Short Stories is an anthology which offers fresh insights into the experience of being Asian.
By Mitali Chakravarty
Shweta Taneja’s story named as pre-finalist in French Grand Prix de l’Imaginaire
The Best Asian Speculative Fiction (2018) is like a rebellious shout to change the world with its threat of futuristic dark stories. Many award-winning and well-known writers like Kiran Manral, Vrinda Baliga, Rochelle Potkar, Park- Chan Soon, Tunku Halim and Eldar Sattarov, have contributed to the anthology. The stories have covered different areas of the genre called speculative which the editor, Rajat Chaudhuri, an established voice in this field, calls, “our adorable, shape-shifting, slippery creature”.
Zafar Anjum, the series editor of the Best Asian series and publisher, explained how the Speculative fiction anthology came about and the editor was chosen: “It was an idea suggested by one of our authors, Anuradha Kumar, and when we got in touch with Rajat to work on an anthology of speculative fiction, he readily agreed. Rajat had done reviews for us before and we always admired his writing, so it was a natural choice.”
Chaudhuri picked Shweta Taneja’s story, ‘The Daughter That Bleeds’, for the Editor’s Choice Award. And now, it has been picked as a pre-finalist in the prestigious French Grand Prix de l’Imaginaire. This French award was first given in 1974 for science fiction and later stretched to the emerging genre of speculative. Winners include Ursula Le Guin (2008), Ken Liu (2016) and Carolyn Ives Gilman (2019). The French Ambassador to India, Emmanuel Lenain, has tweeted about this, tagging Kitaab and Chaudhuri.
Chaudhuri has remarked that Taneja’s story fits into Margaret Atwood’s formulation of this genre. In his introduction he tells us, “Atwood’s test for the speculative is on the touchstone of possibility … Marking a clear break from some of the improbabilities of science fiction, her formulation stresses on this aspect of possibility as the sine qua non of the speculative.” Shweta’s story is “about a market for fertile women who have become rare in a post-apocalyptic India”.
“It’s true we need all kinds of books, not only because the publisher needs to make money but because of the vast number of readers with a vast number of tastes out there,” says famous Indian novelist and short story writer Shashi Deshpande in this interview with Kitaab fiction editor Monideepa Sahu. “All readers cannot appreciate the same kind of books. The problem, as I see it, especially in India, is that we seem to confuse fast-selling fiction with significant writing and then giving it undue importance.”
Shashi Deshpande’s dignified presence, her innate warmth and grace, can win the hearts and minds of anyone from aspiring writers to intellectual opponents. Her twinkling eyes belie a razor-sharp mind; one which sees through human subterfuges and smiles at the quirks and ironies of life.
This prolific author began her career with short stories and has gone on to pen nine short story collections, twelve novels and four books for children. She has also written essays on topics such as feminism, literature and language. Translations are another part of her rich repertoire, and her own work has been translated into several languages. Among her many honours, is India’s prestigious Sahitya Akademi Award for her novel That Long Silence. Her latest novel, Shadow Play, has been shortlisted for The Hindu Prize, 2014. She was honoured by the Indian Government with the Padma Shri in 2008.