Tag Archives: The Lounge Chair interview

The Lounge Chair Interview: 10 QUESTIONS WITH Salil Desai

Salil Desai is an author, columnist and film-maker based in Pune.

Murder Milestone (2020) is the fourth book of his much-acclaimed Inspector Saralkar Mystery Series, on the heels of 3 and a Half Murders (2017), The Murder of Sonia Raikkonen (2015) and Killing Ashish Karve (2014).

The Inspector Saralkar Mystery series has been optioned by Times Studio Originals (now Junglee Pictures) for adaptation into a web series. Salil’s other popular books are Murder on a Side Street (2011), Lost Libido and Other Gulp Fiction (2012), as well as The Sane Psychopath (2018), the screen rights of which have been picked up by Endemol India recently. Over the years, Salil’s books have received good reviews in The Hindu, New Indian Express, The Pioneer, Bangalore Mirror, DNA, First City, The Tribune, etc.

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THE LOUNGE CHAIR INTERVIEW: 10 QUESTIONS WITH Migs Bravo Dutt

Migs Bravo Dutt is a writer and researcher whose work has been published in several countries, regions, and cultures. Her short fiction has appeared in 22 New Asian Short Stories 2016 and Kitaab’s The Best Asian Short Stories 2018. She has contributed poetry to various anthologies and journals in Singapore, Asia, Croatia, and the USA. She has co-edited Get Lucky: An Anthology of Philippine and Singapore Writings and is the author of the novel, The Rosales House . In this interview, she tells us about her writing projects, philosophies of life and other exciting things from her writing journey so far.

Let’s get down to brass tacks. Why do you write?

I write to define myself, to measure time, and at this juncture, to stay sane.

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The Lounge Chair Interview: 15 questions with Janice Pariat

By Neha Mehrotra

Janice Pariat is the author of Boats on Land: A Collection of Short Stories, Seahorse, a novel and The Nine Chambered-Heart, a novella, published by HarperCollins India in November 2017 and HarperCollins UK in May 2018. In 2013, Janice won Sahitya Akademi’s Young Writer Award and the Crossword Book Award for Fiction; in 2015, she was shortlisted for the Hindu Literary Prize for her novel Seahorse.

Janice studied English Literature at St. Stephens College, Delhi and went on to study History of Art at the School of Oriental and African Studies in London. She currently lives in Delhi; among other things, writes a monthly literary column ‘Paperwallah’ for The Hindu and teaches creative writing at Ashoka University.

The Nine Chambered Heart is currently being translated for publication into six languages, including Italian, Spanish, French and German.

Janice Pariat.jpg

Janice Pariat

How do you identify as a writer?

By writing? I don’t see what else would suffice. Although I’d hasten to add that identifying as a writer implies something of a stasis–and I think, for me, it’s about “being” a writer or seeing that identity (as with all?) as something that’s perpetually in flux. One is always “becoming” a writer. It isn’t some pleasant destination you arrive at, at the top of a mythical hill. It’s also an identity to which people are keen to prefix with labels – “woman”, “Northeast”, “Indian” – while I would prefer to shrug them all off. Labels say very little about me, and tend to skew expectations of what I should write, the kind of stories I should be telling, where my books should be set.

What impels you to write, especially the kind of books you write?

I’m afraid I’m not very good at anything else – painting, pottery, playing a musical instrument. I feel kinship though with literature and books and writing. Reading impels me to write. As does remembrance, and memory. Bleakness. Joy. Frustration. Fun. Anger. Sadness. At the risk of sounding like one of those terrifically earnest people, writing is at the very centre of everything I do because it helps me make sense of the world, to record it, unravel it, and give it away. They say we write the books we want to read? Perhaps. I guess I write the books I do to explore aspects of myself, and other people and the world that most intrigue me.

Tell us about your most recent piece of writing apart from what you have published.

A terrible poem which must never see light of day. Hastily scribbled notes, which may make it into the next book. To be honest, I’ve been reading more than writing this summer.

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