Literature about the Hiroshima and Nagasaki bomb blasts has been around for quite sometime. But it is perhaps the first time that the story of a hibakushahas been told for middle-grade readers in America with Kathleen Burkinshaw’s novel, The Last Cherry Blossom.
The novel is the story of Burkinshaw’s mother, Toshiko Ishikawa Hilliker, who was victimised by the nuclear blast during her own childhood. She married an American and moved to USA and never spoke of her nuclear war experience till at the end of her life when she saw her daughter forced to quit her career because of a debilitating neurological condition as a result of her mother’s exposure to the nuclear blast, eventhough Hilliker had been at “ home” in Japan and less affected.
Burkinshaw has put down her mother’s story as she heard it. The novel also evolved as we are told: “At age 12 in 2010, Burkinshaw’s daughter, Sara, came home upset one day after classmates said the infamous mushroom cloud that had engulfed Hiroshima was ‘cool’.
‘The need for human connection and emotion is timeless, and I don’t think the kids who were talking about that mushroom cloud were doing anything to be cruel,’ Burkinshaw said. ‘They just didn’t know. They needed to have that connection.’”
Aysha Baqir, is an author with mission, vision and commitment. A development consultant in Singapore, she was born and raised in Pakistan. She has recently launched her powerful, debut novel titled Beyond the Fields. Growing up in Pakistan, it was not a norm for parents to send their daughters to colleges abroad. But for Aysha, things were different as her parents agreed when she won a scholarship to pursue her studies at Mount Holyoke College. Her university experience sparked her passion for development and Aysha chose to return to Pakistan where she discovered that girls and women in villages needed access to economic resources before they could voice their demands for social justice.
She founded Kaarvan Crafts Foundation in 1998, shortly after completing her MBA. A pioneering economic development not-for-profit organisation, Kaarvan Crafts Foundation, is focused on poverty alleviation through the provision of business development and market-focused trainings for girls and women. Aysha headed the foundation until 2013 when she relocated to Singapore. She is a member of the Singapore Writers Group since August 2013 and is currently working on her second novel.
Kye Lee: Your debut novel, Beyond the Fields, is hauntingly beautiful. How did the idea come about for this book? What moved your muse? Had you ever written before? Did any writers, films or art have anything to do with it?
Aysha: Beyond the Fields is the story about a young village girl called Zara. Zara is carefree – she has dreams, she wants to study, and wants to become someone important. She loves kairis (raw mangoes); so, she disobeys her mother and steals into the orchard. And then on one ordinary day, Zara’s twin sister, Tara, the one she is closest to in the whole wide world, is kidnapped from the fields while they are playing a game of hide and seek and raped.
Having worked in the villages of Punjab in Pakistan for over fifteen years, I wanted to show the plight of village girls and women. Thousands of girls and women are assaulted each year and the abuse continues without any substantial family, community, or legal support. And, just not in Pakistan, but across cultures and continents.
I deliberately set the story under Zia-ul-Haq’s regime. I was twelve years old when my mother dragged me to a march called by WAF or Women’s Action Forum. Being an introverted teenager who studied in American School, I didn’t want to go. But my mother insisted saying it was important for me to see what was happening in our country.
Vancouver’s Barj Dhahan is doing what he can to preserve the Punjabi language, not only in Canada but around the globe.
According to Dhahan, the United Nations has claimed Punjabi language is at risk of extinction within the next 50 years because of the dominance of English, so as co-founder of the Canada-India Education Society (CIES), he launched the annual Dhahan prize for Punjabi literature, which sees $25,000 go to a modern Punjabi writer each year.