Reviewed by Dr Madhu Kelkar

Daughterrs of the Sun

Title: Daughters of the Sun
Author: Ira Mukhoty
Publisher: Aleph Book Company (2018)
Pages: 320 (Hardcover)

Babur’s defeat of Ibrahim Lodhi in the first battle of Panipat, 1526, marked the establishment of the Mughal Empire in India. Nurtured by his several illustrious descendents, this infant empire, which grew from strength to strength, united a large part of the subcontinent for two centuries and left an indelible impression on Indian history and culture. To this date the history of this empire has been largely studied from the point of view of its political conquests and the socio-economic and cultural developments of its emperors. With a few notable exceptions, women are conspicuously absent in these accounts, despite the fact that Babur owed his success in no small measure to the efforts of the women in his life.

Academic research on Mughal history has so far showcased prominently the characters of Noorjahan, wife of Jehangir, and Jahanara, the favourite daughter of Shahjahan. Books published in the area dating from 1960 onwards, such as Rekha Misra’s Women in Mughal India 1526-1748 A.D. (1967), Renuka Nath’s Notable Mughal and Hindu Women in the 16th and 17th Centuries A.D (1990), Soma Mukherjee’s Royal Mughal Ladies and their Contribution (2001) cover the domestic arena of the Mughal empire in a limited manner.  Written in a prosaic style, these encyclopaedic accounts do not analyse the ramifications of the contribution of Mughal women, much less the sources on which their books are based. This dominant trend was challenged by Ellison Banks Findly’s book Nur Jahan, Empress of Mughal India (1993), which concentrated on how Muslim and Hindu women negotiated power inside the harem, and later in 2005, by Ruby Lal’s Domesticity and Power in the Early Mughal World.  Spanning the period from 1487 to1605, the latter highlights the influence of the familial world, especially the role of women, upon the first three Mughal rulers: Babur, Humayun and Akbar. Along with her research papers on the same subject, this book stands out as a remarkable exception to all others written on Mughal women thus far.

Ira Mukhoty’s Daughters of the Sun endorses and carries forward Lal’s school of thought. An enthralling sociological piece, it covers a bigger time frame, giving us an unusual peep into the private lives of Mughals from the times of Babur to those of Aurangzeb as well as the attempts to drive out the banal images of the harem as a sexualised space, created largely by European accounts. Her nuanced narrative gives voice to fifteen influential but otherwise disappeared Mughal women while throwing light on their complex and changing socio-political status, economic and personal ambitions and the boundaries of their domestic arena.

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Reviewed by Dr Madhu Kelkar

Indian Cultures.

Title: Indian Cultures as Heritage – Contemporary Pasts
Author: Romila Thapar
Publisher: Aleph Book Company, 2018
Pages: 222 pages 

 

Culture influences our values, world view, loyalties, behaviour and much more. Very often it is equated with civilisation a term that came to be used to describe societies that boasted of extensive territory, sophisticated language, literature, art and architecture, and above all, a single religion. Under the colonial influence, culture came to be redefined simply as a way of life of elite groups, for instance Aryans in the case of India. Unfortunately, our current understanding of Indian culture is overshadowed by this erroneous interpretation. Heritage, both cultural and natural, consists of ideas, objects and practices; contributes to quality of life, gives us a cultural identity and connects us with our past. India’s cultural heritage has always been subject to debates. While traditional historians favour the ‘unity in diversity’ approach in order to project a homogenised Indian identity and presumably invoke the spirit of patriotism, Thapar, in her latest book, Indian Cultures as Heritage Contemporary Pasts, does exactly the opposite.

A fearless, frequent and outspoken critic of our dogmatic and communal interpretations of the past, Thapar’s  book does not to go into the historical aspect of the making of Indian culture but provides glimpses of what is often omitted, marginalized, trivialized or is even considered irrelevant to its understanding. Drawing on her lectures and essays, published in the recent past, this book challenges the idea that Indian culture is the monolithic phenomenon it is often portrayed as in Indian historical writing or what is being currently imposed on the Indian citizens by cultural nationalists. Identification with a single culture, she argues, despite the existence of many in the country, is risky since it tends to dismiss all that does not conform to the mainstream forms, perpetuates inequality and silences all kinds of reasonable resistance. Culture is deeply linked with historical developments and bound to change. But the two differ as well. While history narrates and explains the past, culture can invent the past without any historical evidence. Therefore, one has to guard against spurious history which can be manufactured by culture. Thapar’s argument that we need to subject the Indian culture to rigorous historical scrutiny and juxtapose historical and cultural forms to understand their interface is highly relevant, especially in the present context when cultural forms are being subjected to identity politics due to ignorance and lack of general or intellectual interest in other cultures, within and outside the subcontinent.