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Book Review: The Wounds of the Dead by Vikram Paralkar

Reviewed by Nilesh Mondal

The Wounds of the Dead

Title: The Wounds of the Dead
Author: Vikram Paralkar
Publisher: Fourth Estate India (2017)
Pages: 224 (Hardcover)
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The Wounds of the Dead is a book which takes risks with almost every element of its narration, and to a large part, makes it work in a way most of us wouldn’t expect. The biggest challenge it faces is the blending together of various genres, and it deftly manages to cross over from one to the other without breaking the flow of the story. Going from one chapter to the next, the narrative becomes a high-tension, tightly bound medical drama at some points and at others, a more relaxed treatise on spirituality. Although it becomes evident which are the high points of the book and which aren’t, the writer does a good job of keeping the margin relatively smaller.

I’ll admit to my initial scepticism when I began with the book. The story at first sounds deceptively simple: a doctor is forced by his circumstances to treat a family that shouldn’t be alive, but is. Probably the most interesting character in the book is that of the doctor, a typical veteran of medicine and melancholy, who tries his best to deal with his past as well as his frustration over being stuck in a land where he doesn’t belong. In doing so, he becomes the most relatable character in the entire mix, one who is dedicated to his trade but hates his job, and doesn’t shy away from unleashing the pent up frustration in his words for the simple minded villager. However, when trouble comes knocking, quite literally, he rises to the occasion, letting his kindness and compassion shine through his otherwise prevalent bitterness. In doing so, the doctor becomes a metaphor for humanity and of how trying times always bring out the best in us. In comparison, the rest of the characters are considerably less complicated and driven by straightforward motivations.

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Book Review: 1984: India’s Guilty Secret by Pav Singh

By Nilesh Mondal

1984 India's Guilty Secret

 

Title: 1984: India’s Guilty Secret
Publisher: Rupa Publications India (2017)
Pages: 295
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1984: India’s Guilty Secret does something most books in its genre can’t – it keeps its promise. It’s a scathing and almost brutal journalistic read rich with data and mention of instances that have become a permanent fixture in the memories of one of the largest communities of our country, unfortunately. While most books in the genre of journalism either manage to alienate their readers by the use of jargon or disappoint by eventually turning out to be shallow fluff pieces lacking anything of relevance, this book by Pav Singh fulfils on both counts. It manages to pull in the reader by the sheer honesty that leaps out of every page, and keeps them firmly invested by a streamlined account of facts and discussions which affirm the need to learn more about our history in order to understand the present scenario in our country.

In the foreword, the author apologises for and justifies the use of gory and violent details, and it is an apology made for a reason – this book contains distinct and often detailed descriptions of the atrocities committed against the Sikh community in the wake of the infamous 1984 riots. However, the real horror of the incidents discussed in this book, does not come from the details but rather from the calm way in which the author chooses to talk about them. Pav Singh plays both roles to perfection here, as a narrator who isn’t divorced from the trials and tribulations of the Sikh community as a whole, at the same time, as a journalist, focussing more on facts to support his arguments, relying on the readers’ understanding of the truth and not just their sympathy. At recurring intervals the author reminds us that it’d be a grave error on our part to call the chaos that unfolded in those four days, a riot. Riot is spontaneous, he reminds us, but what happened in 1984 was something that had been planned well in advance, against a community which had no idea what violence awaits it and was thus unable to either fight back or even defend itself; massive propaganda and media blackouts were used by the forces in power to make sure there was no escape from the death and destruction that’d follow, making it in essence, something much closer to the genocide initiated by Hitler during WW II. Indeed, stories from the Nazi camps and inhuman circumstances that had plagued Germany are used at many instances, as a method of drawing parallels between these two occurrences separated by time and space but brought together by intent and its fallout.

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Letters to Joanne: Two poems by Nilesh Mondal

Letters to Joanne

nilesh-mondal

Nilesh Mondal is currently pursuing an undergraduate degree in Power Engineering. When he’s not overwhelmed by the intricacies of engineering, he lets himself sink in a quagmire of unfinished stories and unwritten poetry.

You can look him up on Facebook, or follow him on Instagram @hungover.hamlet, where he makes a fool of himself often, or check out his blog at loveinthetimeofdiarrhoea.wordpress.com