…… The Gene: An Intimate History by Siddhartha Mukherjee This is a deeply considered and gorgeously rendered work, part […]
Two Indian-American authors have been shortlisted for the 30,000 pound Wellcome Book Prize, which celebrates fiction and non-fiction […]
Two Indian Americans – Dr Siddhartha Mukherjee and late Stanford neurosurgeon Dr. Paul Kalanithi were among those longlisted […]
Indian-American physician and author Siddhartha Mukherjee has been longlisted for this year’s Wellcome Book Prize for his non-fictional […]
The tastes of the reading public in India seem to growing beyond fiction. In what is being seen […]
Indian American writer Siddhartha Mukherjee has been nominated for an Emmy Award for his PBS documentary, Cancer: The Emperor […]
On the sad break with the tradition of embracing polyphonic, unorthodox ideas: The Outlook
Censorship increasingly seems to be an issue across disciplines—the arts, literature, films, science, free speech. Why do you think this is so?
I became interested in finding out about a series of events that had caused me some concern, starting with what unfolded at the Jaipur Literature Festival where I was a participant two years ago when Salman Rushdie was debarred from attending for security reasons. Events before and since then led me to believe that there is a patterned response in which a certain history unfolds with someone saying some work of scholarship or some work of literature is so deeply offensive to their sentiments. Then either the publisher capitulates or the government capitulates or both, and after that, it seems as if everyone goes on merrily, happily ever after. The point I want to make is that there is a relationship between the cultures that produce works of imagination and literature and the cultures that produce science and technology. On the one hand, India publicly proclaims its scientific and technological aspirations, on the other there seems to be a quiet tabling of intellectual freedom and I firmly believe these are mutually incompatible. The very preconditions that produce literary works and important new ideas of historical scholarship, whether you like them or not, are the same preconditions that produce scientific work. Eventually our wellsprings of science will run dry because you destroyed the ecology of ideas.