The just concluded Kitaab Literary Festival in Lucknow saw interesting discussions on intertextuality and micro literature
At a time when a strongly intimidating and equally tantalising wave of certitude and homogeneity has been sweeping the world and law-induced violence runs amok, what can provide us with an alternative comprehension of the reality? It is an intriguing sense of inconclusiveness that triggers and acts like a catalyst to deal with various vexed issues as it prevents people from trying to outdo each other.
This incredible conceptual creative solution is offered by a celebrated Singapore-based author Zafar Anjum who participated in an international literary festival held in Lucknow in which many prominent writers in English, Hindi and Urdu, belonging to India, Singapore and Malaysia participated. Zafar Anjum, in his widely- acclaimed story, “Kafka in Ayodhya” refers to the vexed Ayodhya issue and the quest for solution prompts him to explore the nuanced connotation of the incompleteness and the space around it. In line with his existentialist leanings and Kafkaesque tradition, the protagonist of Zafar’s story spells out the contours of solution:
“Leave the structure as it is. Incompleteness is also a quality, a facet of nobility. It has a capacity for silence. At least, that’s what I do with my work.”