Reviewed by Mitali Chakravarty
Title: B-Sides and Backslides: 1986-2018
Author: Felix Cheong
Publisher: Math Paper Press by Books Actually
B-Sides and Backslides is the award-winning Singaporean poet Felix Cheong’s collection panning the development of his poetry from 1986 to 2018. In the foreword, the poet writes, ‘These are pieces which… could not find their place in my published volumes.’ The title alludes to ‘the flipsides’ of his poetry. He compares them to the B-Sides of Beatles’ albums, which often had songs that were really interesting but not top of the charts. They remain an interesting part of a creative process. However, he claims that he has not ‘blackslid even if it might appear so,’ and in that spirit, his poetry touches our lives with its humour and variety.
The book is divided into different periods of his development as a poet. In “Juvenalia”, the section tracing his development as a poet for the first nine years, he says, ‘In various voices and versions, I have been trying to rewrite Prufrock the past thirty years…’ However, through the course of his poetry we can see how he transcends the torpor of the procrastinating Prufrock (“Love Song of J. Alfred Prufrock”, T. S. Eliot, 1910) and the angst generated by Hollow Men (T. S. Eliot, 1925) to become a caricaturist of Singapore life, politics and culture. In “We are the Salarymen”, with an epigraph of the first two lines of Hollow Men, he concludes,
We maybe the hollow men,
but the least we own
is our honesty to know
we have the means to fill
and fulfil this emptiness,
stuffed fool and full of yourself,
little more than moans and bones
on a high horse galloping
with the weight of a lost world.