9TH AFCC Celebrates Singapore as country of focus: Spotlights literary heritage through 3-day children’s festival; two award shortlists announced
SINGAPORE, 20 August 2018 – In conjunction with the 50th anniversary of the Singapore Book Council, the Asian Festival of Children’s Content (AFCC) celebrates Singapore as the Country of Focus with a three-day programme that showcases over 100 local writers, illustrators and publishers; an exhibition on illustration pioneer Kwan Shan Mei; and a Singapore Night gala dinner and awards ceremony. The 9th AFCC will run from 6 to 8 September at the National Library, marking the theme Imagine-Asia.
Over three days, participants can attend over 130 ticketed and free programmes, featuring 150 Singapore and international speakers.
AFCC has also announced the shortlists for two awards this year, the Hedwig Anuar Children’s Book Award (HABA) and Scholastic Asian Book Award (SABA), which come with a top prize money of SGD10,000 each. Six books have been shortlisted for HABA, which include titles by Xie Shi Min, Ben Lai and Low Ying Ping. Recognising the best Singapore children’s book, the award received 71 submissions this year. SABA has shortlisted six works by writers from Singapore, Hong Kong, India and The Philippines. A joint initiative between SBC and Scholastic Asia, it is given to the best unpublished manuscript by a writer of Asian descent. The winners will be announced at the Singapore Night-cum-50th Anniversary dinner and awards ceremony on 8 September. Please refer to Annex V and VI for the full shortlists and panels of judges.
AFCC casts the spotlight on Singapore’s literary heritage in children’s books as the Country of Focus, whilst highlighting new means of content creation and digital platforms for storytelling. Boasting a line-up of speakers that range from established writers and illustrators – such as Adeline Foo, Colin Goh and Yen Yen Woo, David Liew, David Seow, Emily Lim, Patrick Yee, Rilla Melati and Rosemarie Somaiah – to new, emerging ones (Eunice Olsen, Eva Wong Nava, Quek Hong Shin) and Gen-Z writers like Gabby Tye and Ashley Koh, the programmes will tackle a wide range of topics. The topics include creating iconic kid lit characters; advocating for inclusivity; getting children to read Sing Lit; and learning our history through children’s books.
Rather than being weighed down by pedagogy, children’s literature must set you free — to imagine, to recall, […]
By Bijal Vachharajani Why don’t international book lists really get Indian kid-lit? A question I have often pondered, […]
The Scholastic Asian Book Award (Saba) is a joint initiative between the National Book Development Council of Singapore and […]
When Srinanda Gupta was reading stories to her 6-month-old son, little did she know then that this boy would be an author at the age of eight.
Srinanda fondly recalls the day Rishav walked up to her with his drawings and said he wanted a “real” book.
“I clearly remember how happy and confused I was at the same time because I did not quite understand what he meant. After a conversation, Rishav made it clear that he actually wanted to be an author,” says the mother who also teaches at Chatsworth International School in Singapore. She decided to nurture his passion and give him time to become responsible for his own initiative. Rishav named the book The Lion’s Walk. Each page focused on a place and some detail that he observed of that particular place.
“He narrated the story while I documented it. What was unique was how Rishav read books, made connections with his personal experiences and applied his knowledge in his writing. I got the pages printed and stitched together,” shares Srinanda. That was Rishav’s first book!
Now this Grade 2 student of Chatsworth International School, Singapore, has a book to his credit Dreamagination, published by Kitaab International.
The book is a collection of 10 stories written by Rishav between the age of 3 and 7. Dreamagination is more than a book. It is a writing journey of a young boy from doodling, to drawing and then consolidating his ideas in writing.
“This is a big wish come true! You must dream and when the dream becomes bigger, bigger and bigger, it comes true. I want to encourage everyone around the world to write because it helps people to communicate and you can express your heart full of stories. You need dreamagination to live,” says Rishav.
By Pooja Pillai Madhuri Purandare is rarely to be found among children. The writer and illustrator has a […]
Stories of demons, gods and fairy tales with happy, moralistic endings probably formed a memorable part of your […]
Be it bizarrely imaginative, utopian, or even real-life stories, you are what you read. Here’s a round-up of […]
Thirty decades after her translation of Valmiki’s Ramayan, Arshia Sattar retells this epic for children. The Ramayan obviously […]
By Monideepa Sahu
Let’s get down to brass tacks. Why do you write?
This is a deceptively difficult question. I’ve thought about it for days, wondering how to answer it without sounding hackneyed. (And does the fact that I don’t have a deep, clever answer mean I have no good reason to be writing?!) The main reason is I write, I suppose, is because I like it. There are the beginnings of all these stories inside my head and the only to find out what happens next is to write them down and see where they go. This process of a story unfolding and then coming together is very exciting. It’s almost as much fun as reading a book.
Tell us about your most recent book or writing project. What were you trying to say or achieve with it?
I have a few works in progress at the moment. One of them is a fantasy novel I’ve been stuck on for more than half a decade. Some people say I should abandon it, but I feel it has a life still. Another falls somewhere between a school story and mystery story, and also between MG and YA. The third is a standalone YA fantasy where we find out that a deja vu is actually a time jump (!); and the fourth is a secret!
Describe your writing aesthetic.
I like to keep it simple. The best writing advice I got was from a journalism teacher who told us that the kind of writing we should be aiming for was “Famous Five” (of Enid Blyton fame). At that time I thought that was ridiculous — why should you write like you’re writing for ten-year-olds? Only later I realized the wisdom behind that thought. That rather than showing off how many big words you know, write so that even a child could understand it. And it is harder than it looks, even when you *are* writing for children.