Filmmakers Anupama Chandra and Uma Tanuku take us through the journey of the feminist publication formed during the […]
Master director Satyajit Ray wrote a script for a documentary on sitar maestro Pandit Ravi Shankar but failed to make the film for reasons even his son Sandip does not know, says a new book on the subject.
Ravi Shankar: An Unfilmed Visual Script (Harper Collins) is about a documentary film Ray had planned to make, prepared its visual script (storyboard) and even titled it “A Sitar Recital by Ravi Shankar” but could not shoot it. Why? No one knows, not even his family members including filmmaker-son Sandip Ray.
Singapore-based filmmaker Amit Virmani’s debut, “Cowboys in Paradise”, was one of the most talked-about Asian documentaries in recent years. The controversial film on sex tourism in Bali (Indonesia) garnered international acclaim and has been broadcast in over 110 countries.
His second documentary feature film, “Menstrual Man” (2013), is already making waves. The film documents the struggles of India’s Muruganantham, a school dropout who realised that the majority of women in India couldn’t afford sanitary pads and decided to do something about it. A Netflix audience favourite at Hot Docs 2013, the film underscores the importance of empowering women to combat poverty and highlights the power every individual has to make a difference.
Amit is a graduate of Southwestern University, Texas, where he was honored with the Feminist Voices Award.
Kitaab presents an interview with this talented Asian filmmaker on the art of documentary filmmaking.