Title: The Best Asian Short Stories, 2019
Editors: Hisham Bustani (Series Editor: Zafar Anjum)
Year of publication: 2019
Links: Kitaab Bookstore
About: War, loss, love, compassion, nightmares, dreams, hopes and catastrophes; this is literary Asia at its best. From a wide range of geographies spanning from Palestine to Japan, from Kazakhstan to the Malaysia, mobilizing a wide array of innovative narrative styles and writing techniques, the short stories of this anthology, carefully curated by one of Asia’s prominent and daring writers, will take you on a power trip of deep exploration of local (yet global) pains and hopes, a celebration (and contemplation) of humanity and its impact, as explored by 24 writers and 6 translators, many of whom identify with many homes, giving Asia what it truly represents across (and beyond) its vast territory, expansive history, and many traditions and languages. This book is an open celebration of multi-faceted creativity and plurality.
Contributors:JOEL DONATO JACOB (Philippines); LANA ABDEL RAHMAN (Lebanon): RAZIA SULTANA KHAN (Bangladesh); DEENA DAJANI (Palestine); ALAN IRID FENDI (Syria); SAMIDHA KALIA (India); SCOTT PLATT-SALCEDO (Philippines); ANITHA DEVI PILLAI (Singapore); ANGELO WONG (Hong Kong); ODAI AL ZOUBI (Syria); SIMON ROWE (New Zealand / Japan); SEEMA PUNWANI (Singapore); VRINDA BALIGA (India); NAMRATA PODDAR (India / USA); T.A. MORTON (Ireland / Hong Kong); HAMID ISMAILOV (Uzbekistan); SUCHI GOVINDARAJAN (India); YD CHANG (China / Malaysia); JOLIN KWOK (Malaysia); IMRAN KHAN (Bangladesh); YAN TI (Taiwan); ZIRA NAURZBAYEVA (Kazakhstan); KAISA AQUINO (Philippines); JOSE VARGHESE (India)
Title: Scream to the Shadows
Author: Tunku Halim
Publisher: Penguin SEA
Year of publication: 2019
Price: SGD 14.50
Links if any: Penguin Random House
About: Unconfined to a single theme, this new collection of twenty short stories by Tunku Halim offers five distinct worlds—the paranormal mysteries from ‘The occult world’, with its dark settings reveal supernatural existences in the characteristic Halim style.
by Team Kitaab – Poetry
“When it is dark enough,” Ralph Waldo Emerson said, “you can see the stars.” This Saturday, the Omni-Theatre at Science Centre Singapore will dim its lights for Singapore’s literary luminaries. A project initiated by the Singapore Writers Festival and Science Centre Singapore, Poets Among The Stars promises a feature-length show that brings together the wonders of science and art, as contemporary verse lights up the Omni-Theatre’s massive IMAX dome, the only of its kind in the country. The event is free, with limited seating. For registration, please visit: http://swfpop11.peatix.com/?lang=en-sg.
About this unique collaboration, Yeow Kai Chai, director of the Singapore Writers Festival, has this to say: “Poets have always been inspired by astronomy and the solar system, ranging from William Blake to the Metaphysical Poets, and so, we thought, why not work with Science Centre Singapore to get writers to wax lyrical about the galaxy in the awe-inspiring Omni-Theatre? For the longest time, our society tends to compartmentalise people into either of two camps – science-oriented or arts-inclined. Instead, we believe that there’s much we can learn and appreciate as we reach across the aisles. We have been blown away by the unique, eclectic approaches by the writers as they reach inwards, and outwards towards the universe. We are thankful to our friends at Science Centre Singapore who have taken on the project whole-heartedly, and shown everyone, regardless of their discipline, how alike we are as we marry words and astronomy in our pursuit of truth and knowledge.”
Eight accomplished writers in Singapore were commissioned to pen pieces for the show. The writers include Ann Ang, Chairul Fahmy Hussaini, Christine Chia, Deborah Emmanuel, Desmond Kon Zhicheng-Mingdé, Jon Gresham, Loh Guan Liang and Teng Qian Xi. Managed by Caroline Wan and Muhamed Leoaidil from the National Arts Council, the show has been no easy feat to put together, as Yong Jian-Yi from The Science Centre explains:
By Desmond Kon Zhicheng-Mingdé
Let’s get down to brass tacks. Why do you write?
I find writing quite a painful, difficult experience but then there’s the exhilarating rush when things fall into place and something that never was comes into being.
I enjoy the delusions, and license to tell lies. There is a compulsion and a need to deceive myself in order to find deeper layers of truth. I try to rationalise the accident of being alive and end up questioning every sentence.
Tell us about your most recent book. What were you trying to say or achieve with it?
My debut collection of short stories, We Rose Up Slowly, was published by Math Paper Press in July.
The stories concern issues of escape and belonging in contemporary Singapore, Australia, and Jakarta. As worlds fall apart, each protagonist has to confront the gap between messy reality and romantic idealism. I wanted to explore loneliness, disorientation, the framing of narratives, the mishmash of race and identity, the significance of the past in an uncertain present, and the delusions and distractions that obscure meaning and self-awareness.