2026_Front Cover

Title: 2062: The World that AI Made

Author: Toby Walsh

Publisher: Speaking Tiger

Year of Publication: 2020

Pages: 312

Price: INR 499

Links: Speaking Tiger

In 2062, world-leading researcher Toby Walsh considers the impact AI will have on work, war, economics, politics, everyday life and, indeed, even human death. Will automation take away most jobs? Will robots become conscious and take over? Will we become immortal machines ourselves, uploading our brains to the cloud? How will politics adjust to the post-truth, post-privacy digitised world? When we have succeeded in building intelligent machines, how will life on this planet unfold? What lies in store for homo digitalis—the people of the not-so distant future who will be living amongst fully functioning artificial intelligence?

Based on a deep understanding of technology, 2062: The World That AI Made describes the choices we need to make today to ensure that the future remains bright.

Timeless Tales of Marwar (front)

Title: Timeless Tales from Marwar

Author: Vijaydan Detha, Translator: Vishes Kothari

Publisher: Penguin Random House (Puffin Classics)

Year of Publication: 2020

Pages: 208

Price: INR 250

Links: Amazon 

For centuries, Rajasthan has been a gold mine of oral traditions and histories, with Padma Shri Vijaydan Detha being one of the foremost storytellers of all time.

Giving a new lease of life to his writings, Timeless Tales from Marwar is a handpicked collection of folk tales from the everlasting works of Detha’s celebrated Batan ri Phulwari meaning ‘Garden of Tales’. Collected and written over the span of nearly fifty years, this fourteen-volume assortment of Rajasthani folk stories earned him the moniker-the Shakespeare of Rajasthan.

This selection-retold in Detha’s magical narrative style complete with vivid imagery-offers some of the oldest and most popular fables from the Thar Desert region. Discover tales of handsome rajkanwars (princes), evil witches, exploitative thakars , miserly seths, clever insects, benevolent snakes and more. Vishes Kothari’s vivid English translation introduces one of the most venerated figures in Rajasthani folk culture to a wider audience. This tribute to Detha’s rich legacy is a collector’s edition for all ages.

By Farah Ahamed

The aim of tragedy, according to Aristotle is to bring about a ‘catharsis’; to arouse in the spectators’ pity and fear and to purge them off these emotions so that they left the theatre with an understanding of the ways of gods and men. The audience witnessing the changes in the fortunes of the protagonist creates the catharsis. He wrote:

“Tragedy is an imitation, not of men, but of action and life, of happiness and misery.”

IMG_0810To Die in Benares*, (2018) translated from the French by Blake Smith, is a collection of seven stories, which have this cathartic effect.  I will illustrate this by analysing the first story “A Paper Boat in the Ganges”, which centres on the life of Fougerre who has to confront Aristotlean obstacles in his life; colonialism, mythological gods, and fate. Set in Pondicherry at a time when it was still under French occupation, the story covers almost fifty years and presents a compressed montage of brisk, vivid scenes each with intense gesture and detail.It opens with these weighty lines:

“India is probably the only country where fate’s grip on the lives of individuals is so easily accepted. Life isn’t fair. People say it a lot. People hear it said still more often.”

The introduction sets the sombre mood for fate to hijack the character’s life with the ‘epic proportions of the cruel Gods of ancient Greece’. We find the two protagonists — Manu and his Tamil friend, Fougerre — in the sixth grade at a school managed by the French Government. The school is attended by French, and Indian students whose fathers are retired French soldiers or French functionaries, who have a strong attachment to French culture and some Tamilian students like the narrator, Manu, and Fougerre who are less so.

Fougerre, in particular, is an “outsider”. He is a dark-skinned Tamilian, which his white French classmates associate with their servant classes. A reticent and timid boy from a more modest background than his white French classmates, Fougerre is hardworking, bright and meticulous. His white peers copy his perfect homework, and resent “his remarkable brilliance”, because he reminds them of their servants. Manu, in particular, is jealous of Fougerre’s artistic skills.