It is not until we lose something, do we realize the true significance of it. It is not until we make mistakes do we realize where we went wrong. Human nature is such, we can’t help but make mistakes. And some people are fortunate enough to discipline those mistakes and better themselves. However, some people are arrogant enough to acknowledge their mistakes. They think of themselves as superior to the rest. And these are the kinds of people who never learn anything in life. Because if we believe that we are right all the time, what do we learn? We are just mere human beings in this journey of life. Along the way, we might get distracted by the beauty of this world. Us human beings, we are uncanny, aren’t we?
By Monideepa Sahu
Let’s get down to brass tacks. Why do you write?
This is a deceptively difficult question. I’ve thought about it for days, wondering how to answer it without sounding hackneyed. (And does the fact that I don’t have a deep, clever answer mean I have no good reason to be writing?!) The main reason is I write, I suppose, is because I like it. There are the beginnings of all these stories inside my head and the only to find out what happens next is to write them down and see where they go. This process of a story unfolding and then coming together is very exciting. It’s almost as much fun as reading a book.
Tell us about your most recent book or writing project. What were you trying to say or achieve with it?
I have a few works in progress at the moment. One of them is a fantasy novel I’ve been stuck on for more than half a decade. Some people say I should abandon it, but I feel it has a life still. Another falls somewhere between a school story and mystery story, and also between MG and YA. The third is a standalone YA fantasy where we find out that a deja vu is actually a time jump (!); and the fourth is a secret!
Describe your writing aesthetic.
I like to keep it simple. The best writing advice I got was from a journalism teacher who told us that the kind of writing we should be aiming for was “Famous Five” (of Enid Blyton fame). At that time I thought that was ridiculous — why should you write like you’re writing for ten-year-olds? Only later I realized the wisdom behind that thought. That rather than showing off how many big words you know, write so that even a child could understand it. And it is harder than it looks, even when you *are* writing for children.
Very few writers even dare to test a reader’s credulity. Anu Kumar stretches it, almost risking collapse, in her latest collection of short stories: TNS
Packed in 128 pages are ten well-written short stories by Anu Kumar. She’s penned 19 titles, for young adults, children, and adults. I have read three of them, including two of her previous novels, Letters for Paul (Mapinlit) and It Takes a Murder(Hachette), which I reviewed here last year. This is her second collection, the first being In Search of a Raja and Other Stories, which I haven’t read so far, but plan to. Her current book is one of the first books published by an independent publishing house, Kitaab.
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