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Foreign language books big crowd-pullers at book fair in Delhi

With over 20 countries participating in the ongoing New Delhi World Book Fair, foreign publishers are offering a diverse collection of books, but it is the language learning guides that are attracting heavy footfall.

Available for several foreign languages like French, German, and Persian among others, the books cater to all levels of learning – from picture books for beginners to novels for veterans.

According to Ishjot, who is managing the stall for German Book Office, majority of their customers comprise of parents who want their children to start learning German from an early age.

Books on illustrations and short stories for beginners, priced at nominal prices, are selling like hot cakes, she said.

“People are buying picture books and story books in large numbers, since they cost hardly Rs 150 each. So, parents who want their children to learn the language are readily buying the books. Those who are already learning German, are asking for more detailed books on the language’s grammar,” she says.

Books at the stall also include a collection of classics by famous German author Daniel Kehlmann, along with English translations of popular German literature. Read more

Source: Business Standard 


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India: Delhi Is The Most ‘Well-Read’ City Of 2016 And Chetan Bhagat’s Book The Highest-Selling One

The national capital has emerged as the most well-read city in India for the fourth consecutive year with Bengaluru and Mumbai taking the second and third spot, respectively, says a survey conducted by Amazon India.

According to the ‘Annual Reading Trends Report for 2016’ conducted by Amazon.in, Karnal, Vadodara and Patna are first-time entrants in the Top 20 list having bought more books than cities like Coimbatore, Visakhapatnam and Lucknow this year.

Chetan Bhagat’s book ‘One Indian Girl’ emerged as the highest selling book of this year followed by JK Rowling’s ‘Harry Potter and the Cursed Child – Parts I and II’.

The third spot is taken by exam preparation book ‘Word Power Made Easy’ written by Norman Lewis, Robin Sharma’s non-fiction ‘Who Will Cry When You Die?’ was at fourth position. Read more

Source: Huffington Post


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Excerpts: Sultan of Delhi: Ascension by Arnab Ray

9789351950929 Prologue

There were no stars in the sky. There was no moon. Just the wet cold seeping through thick cloth and bone, and the fog slowly smothering the night.

Every once in a while, a truck would grope forward over the broken road. Sometimes a long-distance bus would rumble by, but no sooner would its headlights pass than the fog would flow back denser than ever before.

Milte hain dil yahaan, milke bichadne ko

Kishore Kumar’s voice floated from the direction of the ramshackle bamboo structure that lay fifty yards to the side of the road, perceptible through the fog only because of a Hasag lantern that was hung to its front, illuminating a sign that read ‘Exide Batteries’. fte small shop, one of the few that still operated on this side of the highway, sold batteries, torches, kerosene, hot tea, pakoras and, if you knew what to say and how much to pay, desi hooch. It was closed now, the coal ashed, and the front covered with tarpaulin.

But it was not empty.

On a charpoy, at the front of the shop, sat two men, one hunched slightly forward and the other leaning back and looking up at the sky, holding in his right hand a small transistor radio.

‘Why don’t you turn the radio off? Or at least change the channel. I hate Kishore Kumar.’

‘It’s my radio. It plays what I want it to.’

fte first man pulled his monkey cap closer to his skull and clenched tightly the two thick shawls draped over his body.

‘Tell me why you like Kishore Kumar again,’ he said, tapping the ground rapidly with his feet in a desperate attempt to stay warm. ‘Because he has a great voice.’ In sharp contrast to his companion, the man with the transistor had on, as his  shield against the numbing cold, only a flimsy grey sweater.

‘Because he has a great voice? That’s it? I mean that’s all you can say about the great Kishore Kumar? A ten-year-old would give that answer! Tell me the reasons why you like him, explain it to me.’

The man with the transistor said nothing.

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Teamwork Arts hosts curtain raiser for Zee Jaipur Literature Fest at Delhi

The event at the Taj Mahal Hotel, New Delhi was packed with publishers, authors and supporters of the festival, media and the literati.

Co-directors Namita Gokhale and William Dalrymple shared their insights into the themes and authors participating at the annual carnival of the mind to be held from January 19th -23rd, 2017.

Namita Gokhale, writer, publisher and Co-director of the ZEE Jaipur Literature Festival, said, “We live in times where the cycles of change are puzzling, often disruptive. Books are the answers to these puzzles, literature is the force that links and binds human stories, and contemplates the human situation. In an increasingly parochial and polarised world, literature helps us scale the walls. And translation is the tool that helps us access cultures and knowledge systems.

This year’s festival is more multi vocal than ever before, with about thirty languages represented there. Translation is a key focus and a variety of strands and themes including the constitution, the Magna Carta, Sanskrit, the movements from the margins to the centre, examine the ideals, the ideologies, the realpolitik, of our world, as well as the freedom of the dreaming imagination.”

William Dalrymple, writer and Co-director of the ZEE Jaipur Literature Festival, said, “It’s been an extraordinary journey from 16 attendees ten years ago to a third a million today. On the way we have brought many of the world’s greatest writers to India and showcased Indian writing to the world. We have ignited a million minds to the wonders of literature. This year will be our most irresistible spread of literary genius yet. Roll on the 19th of January!”

The programme for the ZEE Jaipur Literature Festival 2017 will touch upon a multitude of ideas and themes including a look at the nation, Freedom to Dream – India at 70 which explores India today in the context of its history as well as its future, Translations and World Literature, Women and Marginalised Voices, Sanskrit, and Colonialism and the Legacy of the Raj. Read more

Source: Everything Experiential 


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India’s first ever Dalit literature festival held in Delhi: Highlights

The very first edition of the Dalit Literature Festival was held in Delhi from December 6 to 8. A press release earlier issued by Dalit Literature Festival Planning Board said, ”An annual not-for-profit literary initiative, Dalit Literature Festival is envisioned as a unique festival built to promote Dalit literature.”

The festival also provided a stage for Dalit culture, arts, films, food.

The fest which was planned on an international scale was held to create a significant impact, avenues, opportunities and access for Dalit writers across India.

Objective of the fest

  • To create an independent, robust and formidable literary platform for Dalit literature
  • To mainstream Dalit literary works, bring them on to the centre stage
  • To help increase the circulation of Dalit literature and make it more accessible to readers
  • To create more avenues and opportunities for Dalit writers and artist
  • To provide platform to showcase Dalit culture, performing arts, films, food, etc. Read more

 

Source: India Today

 


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Book Review: For the Love of Pork by Goirick Brahmachari

By Neeti Singh

love-of-pork

For the Love of Pork, 2016, by Goirick Brahmachari comes through as a collection of brilliant and ambitious verse that is intensely contemporary, thickly layered and imagistic, and reads like beat poetry as it interrogates on one hand the presence and forms of borders in daily life; and celebrates on the other hand the excesses of modern living with its new-found freedoms that thrill in the flouting of social taboos. Brahmachari, who belongs to a younger line of Indian poets writing in English, draws profusely from his readings and understanding of literature, history, cultural theory, culture and politics. His writing explores the matrix of socio-political and existential issues, as it negotiates at the same time, the paradox of acceptance and irreverence in the lives of the middle class. In terms of poetic style and content, Brahmachari’s is a strong and impressive voice, equipped with both the conviction and the courage that a poet needs to explore new pathways in poetic craft, experience, and creative expression.

Goirick Brahmachari, who is an economics research consultant settled in Delhi, hails from Silchar, Assam. This fact is amply reflected in For the Love of Pork, his first book of poems, which is a collection of forty-five poems that map the poet’s years at home, the pain of borders in the hilly terrain of Assam, and that strange sense of being away from home – free, footloose and available to cosmopolitan lifestyle issues far away in dynamic Delhi. As happens with most cities, the Silchar of his growing up years has decayed and is reduced now, to –

Stinking gutters

of hypocrisy and mediocrity.

Broken roads, of hope once,

of disgust now, ignored

through years of slumber

and laziness, and an age

of rage-less youth.

Your universities

do not speak. (18)

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Review: The Seduction of Delhi by Abhay K.

The Seduction of Delhi by Abhay K., Bloomsbury India, 2014. Pg 92, Rs. 299. 

Reviewed by K. K. Srivastava

Seduction of DelhiDavid Mason’s acute observation in The Hudson Review that “The poetry industry fuels itself on shallow rewards, lines on a resume, praise in a workshop, none of which has anything to do with the solitary effort to write real poems” reflects poorly on the state of poets and the kind of stuff being oozed out in the name of poetry. But there are honourable exceptions like the two poetry collections I read recently—Vita Nova by Louise Gluck and The Seduction of Delhi by Abhay K. The latter is a collection of forty-seven poems. Abhay K. is an Indian Foreign Service Officer and a winner of the SAARC Literary Award. He is the author of two memoirs and five poetry collections. In a unique way in itself, the poet presents his thoughts and emotions in measures exquisite. The well-known Italian artist Tarshito has created the artwork for this book.

Abhay K. has indeed adopted a novel method of narration of his poetic thoughts—instead of expressing his musings about his subjects in the first person, the poet allows his subjects to tell their stories themselves to the listeners. That is the reason George Szirtes, winner, T.S.Eliot Prize for Poetry, perceives Abhay K’s poems as poems where “transformations are gentle and humane: the history is deep and lightly worn. This is the beautiful way to be introduced to a great city”. Continue reading


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Review: ‘Necropolis’ by Avtar Singh straddles various literary worlds

By Elen Turner

Necropolis by Avtar Singh, New Delhi: Harper Collins, 2014. 268 pages.

necropolisAvtar Singh’s Necropolis is very different from a lot of English-language fiction currently emerging from India, a major strength of the novel. Part detective fiction, part literary, and incorporating much history and vampire imagery, Necropolis straddles various literary worlds.

Taking it as a mystery/crime thriller, it would be best not to give away too much of the plot in this review, as it is this that pulls the reader along. It opens with a murder—one in a string of murders—suspected to have been carried out by Delhi’s youth gangs. DCP Dayal and officers Kapoor and Smita Dhingra are on the case, and the novel follows their search for the killers. Further crimes occur, parallel or connected to the opening murder, including the killing of an African immigrant, the rape of a woman from the north-east of India and the kidnapping of a young boy from a wealthy family. Continue reading


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Poetry festival in Delhi and Mumbai to promote Urdu Literature

The festival, has lined up acclaimed writers and poets from across borders and generations, and is spread over three days. In Delhi, it will be held on April 30 and May 3, and in Mumbai on May 2: DNA
Seeking to revive Urdu literature and setting forth a platform to encourage fresh litterateurs, both in Urdu and Hindi, Jashn-e-Adab Society for Poetry and Literature is organising the fourth Edition of the International Poetry festival in Delhi and Mumbai.

“Urdu, a generous mixture of languages like Persian, Portuguese, Arabic, Turkish is perhaps the only language that can be enjoyed even if you don’t understand it,” says Urdu Poet Kunwar Ranjeet Chauhan, who is also the Secretary of Jashn-e-Adab Trust.

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Aatish Taseer Delves Into Ayodhya, Sanskrit in New Book

the-way-things-wereA new book by writer Aatish Taseer has Sanskrit as the central metaphor and touches several issues like Ayodhya, 1984 riots and the Emergency.

The Way Things Were is a family saga set in Delhi amid the commotion of the last 40 years of Indian history.

Skanda’s father Toby, the Maharaja of Kalasuryaketu who is a master of Sanskrit, has died, estranged from Toby’s mother and from the India he loved. Skanda is tasked with fulfilling Toby’s final wish and returning his ashes to his birthplace. Continue reading