With the literary festivals season blossoming around Asia, Singapore will host its 22 nd writers’ festival from 1st to 10th November with big names dropping in, including Pico Iyer. Pico Iyer, who has spent the last three decades in Japan will be talking on ‘Beyond Borders, Beyond Words’. Iyer will reflect on human connection and belonging. After his talk, he will be in dialogue with acclaimed novelist who has spent a large part of her life in Japan too and now lives in Singapore, Meira Chand.
This year Pico Iyer has been the writer in residence for the newly renovated Raffles Hotel in Singapore. He penned down a book on the Hotel called This could be Home. the novel was launched on 5th august. Long ago in history, this heritage hotel had housed the likes of great writers like Rudyard Kipling and Somerset Maugham.
Pico Iyer was born Siddharth Pico Raghavan Iyer in 1957. His great-great-great-grand father was a Gujarati writer-reformer in the late nineteenth century, Mahipatram Nilkanth . His parents were Indian academics who moved to England to study. Iyer’s unusual name is a combination of the Buddha’s name, Siddhartha, with that of the fifteenth century Florentine neo-Platonist Pico della Mirandola and the last name is that of his father. Schooled in Oxford and Harvard, Pico Iyer is known for his brilliant essays and travel writing. He has written a few novels too.
The Asian Festival of Children’s content organised by Singapore Book Council from 5 th to 8 th September, 2019, celebrated its tenth year with the country of focus being Myanmar. There were talks and discussions on the need for book reviews, the need for diversity in children’s literature, translations and how to proliferate books from different cultures all over the globe.
Panel discussions and lectures dotted the event with delegates from USA, England, different parts of Asia and more. Some of the discussions were thought provoking. For instance, at the end of discussion on diversity with panellists from North American background ( academic Philip Nel, writer editor Emily Pan and Lisa Charlieboy) with moderator Avery Fischer Udagawa, the relevance of their experience to the Asian experience was put under scrutiny by a member of the audience as even Emily Pan grew up in USA identifying as an American.
During a discussion on ‘Portrayal of Special Needs in YA (Young Adult Fiction)’, while award winning writer Suzanne Kamata focussed on the need to assimilate children with disabilities into the mainstream, Hannah Alkaff from Malaysia totted off statistics that proved more children would suffer from obsessive-compulsive disorder( OCD ) over the years and therefore the need to create fiction like hers where children could identify with such issues. One wonders though why schools and caregivers would allow this rise in OCD to occur. Sarinajit Kaur from National Institute of Education, talked of how teachers could create not just better readers but generate hope in children by giving them books that are empathetic.
At the start of September, the Bras Basah National Library in Singapore will be a hive of activities with writers, books, illustrators and publishers exhibiting their wares and holding workshops to celebrate the upcoming Asian Festival of Children’s Content (AFCC). The festival adopts “diversity” as its theme.
Organised by the Singapore Book Council, the tenth AFCC will feature 150 speakers, of who 104 are local and 47 are international.
“AFCC has been championing diversity and Asian children’s books since its inception,” said the Executive Director of the Singapore Book Council, William Phuan, in a press release . “As we mark our 10th anniversary milestone, it is even more important that we continue to push to enrich the literary landscape with multicultural stories and diverse themes.”
I was thankful for the presence of my mother, husband, son and friends (Jessica Yeo, Kisato, He Shu Xin, Teresa, Katherine Seow, Rusyinni Rusanto, Thomas Tee, Rachel Tee, Jonathan Tee, Evangeline Neo, Winston Chan Boon Hock, and Sherrley Seah) who witnessed the publication of this book. I am also grateful to those who came for the launch to give their kind blessings and support and to Perine Seah who was my moderator as well.
The idea of this book was born in 2013 when my son was three years old. Around this time, he began to lose interest in brushing his teeth. It was a great challenge to engage his interest in doing so and many questions flashed in my mind. What if people don’t brush their teeth? What if the teeth are gone? With these, the characters of cavity monsters began to appear in my head. Visual events and story situations flooded my imagination and I shared the story with my son. The story convinced him to take action, to resume the good habit of brushing his teeth. Now he expects more such stories from me. It is a challenge to create series of bedtime stories for him and I have to come up with new ones every day.