She stares idly into the distance, an empty ceramic tumbler in front of her.
“The beach there is different…in my country.” She says lost in the reverie of the waves.
Did she say bitch to me? No, No, it’s the beach, the beach of Mexico. I remind myself of the Mexican Spanish accent. People’s vowels and consonants, my own diction is my Achilles heel even after years of mac and cheese. Why would she call her life-coach a bitch? Calming my heart, I try to concentrate. Usually, I am the focussed type, I can come to the point easily. A seasoned counselor, I can anticipate in the first five minutes the story which has got the weary heart to my doorsteps.
Listening is my profession, my bread and peanut butter and what they call in Japan- the Ikigai. Okay, close to Ikigai. Occasionally I get jolted, dismayed by a story, as and when a 15-year-old girl talked about being drugged at a party at a friend’s house and later found herself in the morning without clothes on her body. She was suffering from herpes apart from the guilt that she was responsible for being sexually assaulted. I was worried for my teenage daughter.
Book Review by Namrata
Title: Wild Boar in the Cane Field
Author’s Name: Anniqua Rana
Publisher: Amazon, 2019
‘My mothers found me a week after I was born.’
And so, begins the poignant story of Tara’s birth, her survival and her death. Anniqua Rana’s Wild Boar in the Cane Field is a testimony to the old adage — survival of the fittest. Her observations of life of women in rural Pakistan combined with her knack of storytelling, ensures a reader is left enthralled.
Anniqua Rana lives in California with her husband and two sons. Apart from teaching English to immigrants and international students in community college, she also writes essays on gender and education.
Rana’s novel, Wild Boar in the Cane Field, journeys rural Pakistan where amidst the cane fields and smell of spices, we are introduced to Tara and her mothers. The prose is evocative and lyrical with descriptions that come alive in every passage.
Reviewed by Mitali Chakravarty
Title: The River’s Song
Author: Suchen Christine Lim
Publisher: Aurora Metro Books
Total number of Pages: 306
Price: Pounds 9.99
The River’s Song is an epic novel by the ASEAN award-winning writer Suchen Christine Lim about people living in and around the Singapore River, from the mid-twentieth to the start of the twenty first century. Published in 2013, it spans an era of change and development in Singapore, which could be compared with the passing of an age as in Margaret Mitchell’s epic novel, Gone with the Wind. The story begins with the portrayal of people who lived by and around the water body for generations prior to the 1977 Singapore River cleanup. The cleanup changed the way of life irreversibly for immigrants who lived by the river, as did the American Civil War for the American settlers.
Most of the river dwellers prior to 1977 are shown to be immigrants from China or Malaya. Among them are the protagonist, Ping, and her mother, the pipa songstress, Yoke Lan. Yoke Lan insists that her daughter address her as Ah-ku, aunt in Cantonese, because she does not want to divulge her maternal status to her fans and customers. Ah-ku’s attempt to rise above poverty and move to respectability defines many of her actions. Ah-ku is more passionate, more like Scarlett O’ Hara, a colourful persona vis-à-vis her timid daughter, who is befriended by Weng, a dizi player. The story revolves around Ping and Weng till Ah-ku, who disappears from Ping’s life for some years, reclaims her daughter as a poor relative. Ah-ku returns to visibility as the wife of a rich and powerful towkay (a rich businessman), moving around in more educated circles. The ascent to a better life removes both Ah-ku and her daughter from the proximity of the river. Ultimately, Ping goes to university in USA, where she spends the next thirty years of her life away from family and friends. She flits in and out of a marriage with an Indian who wears pink pants and calls himself Jeev. She befriends braless feminists and learns to call their country her home.
For most of her life, Ellen Pao did what you’re supposed to do to succeed. In her new […]
Singapore is a unique agglomeration of cultures, history and contemporary prosperity, and so for this lover of South Asian literature, Zafar Anjum’s The Singapore Decalogue is a welcome entry into Singaporean literature from an Indian migrant’s perspective, writes Elen Turner in her review
Singapore is a unique agglomeration of cultures, history and contemporary prosperity, and so for this lover of South Asian literature, Zafar Anjum’s The Singapore Decalogue is a welcome entry into Singaporean literature from an Indian migrant’s perspective.
The format of The Singapore Decalogue (subtitled Episodes in the Life of a Foreign Talent) is creative: it is a novel, of sorts, but it is also akin to a collection of interrelated short stories. Each chapter narrates events from one month in the life of Asif, who, at the beginning, October 2005, is a Bangalore bachelor about to immigrate to Singapore. The protagonist, Asif, is the focus throughout the book; his life progresses from one event to the next, his consciousness and worldview undergoing development, suggesting the label of novel. However, each chapter stands alone to some degree: characters who take central roles in one chapter are entirely put aside in the next, sometimes never seen again. Asif’s life progresses, but author Zafar Anjum suggests, through this structure, that life can be compartmentalised, for good or ill.
Immigration has become a prison of cliche in Europe: The Guardian
The immigrant has become a contemporary passion in Europe, the vacant point around which ideals clash. Easily available as a token, existing everywhere and nowhere, he is talked about constantly. But in the current public conversation, this figure has not only migrated from one country to another, he has migrated from reality to the collective imagination where he has been transformed into a terrible fiction.