Tag Archives: Memoir

The Flavours of Nationalism – An unbinding faith in the hope of a future

Rakhi Dalal reviews The Flavours of Nationalism,(Speaking Tiger, 2018) analyzing how through this personal memoir, Nandita Haksar hopes for a future where every Indian will have Justice of Eating.

Nandita Haksar is a pioneering human rights lawyer, campaigner, teacher and writer. She is the author of over 15 books including: Framing Geelani, Hanging Afzal: Patriotism in the Time of Terror (2009); The Judgement That Never Came: Army Rule in North East India (with Sebastian Hongray, 2011); ABC of Naga Culture and Civilization (2011); Across the Chicken Neck: Travels in North East India (2013); The Many Faces of Kashmiri Nationalism from the Cold War to the Present Day (2015), Framed as a Terrorist (with Mohammad Aamir Khan) (2016) and the Exodus is Not Over: Migrations from Ruptured Homelands of Northeast India (forthcoming). The Flavours of Nationalism won the Book of the Year award at LF Epicurean Guild Awards 2020.

The introduction to the book is titled “The Justice of Eating”, which takes its name from the poem “The Great Table Cloth” by the Communist Chilean poet, Pablo Neruda. Through this poem, Neruda expresses his wish for a world free of hunger. Nandita Haksar quotes the poet to bring forward the still pertinent question of inequality, when it comes to accessibility of food in Indian society. That the farmers continue to commit suicide, that some of those unprivileged go without square meals for days, that the social fabric is still marred by discrimination and oppression practiced towards people with respect to their food choices because of their caste/class/religious/regional identities, are some of the questions that the author grapples with in this book.  

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Essay: Reclaiming the Vanished by Catherine Quesada

With the quarantine in full force, I constantly found myself buzzing with the undercurrent of my anxieties and amped up by this misplaced energy. It’s funny because it’s not like I have much time on my hands. My workload has been more or less the same amid the ongoing pandemic. But there are pockets of break times so, one day, I found myself decluttering my stacks of papers and notebooks from college. 

They were my old essays, reading materials and various notes. Nostalgia overwhelmed me as I read through them, especially considering that I haven’t written anything remotely personal lately. With my work as a writer for someone else, my job is just to be my boss’ foot soldier—to produce content for him, for his business, for his name. 

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“Beauty and creativity coexisted with all the difficult realities of the city!” – Taran N Khan

Team Kitaab is in conversation with Taran N. Khan, the author of Shadow City (Published by Penguin India, 2020) where we discuss Kabul, her love for the city and her fascination for it which led to this book.

Taran N. Khan is a journalist and non-fiction writer based in Mumbai. Her writing has appeared in GuernicaAl JazeeraBerfroisHimal SouthasianGulf News and Dagsavisen, as well as in leading publications in India like The CaravanOpenThe Hindu and Scroll.in. She has received fellowships from the MacDowell Colony, Logan Non-Fiction Program, Jan Michalski Foundation and Pro Helvetia. From 2006 to 2013, Khan spent long periods living and working in Kabul. Shadow City is her first book.

Taran N. Khan’s Shadow City is a fascinating read on Kabul. Interestingly, the first thing, Khan, was told when she reached Kabul, was to never venture for a walk. And that is exactly what she did- explore the city through walks, which further led to this book.

From “I have a complicated relationship with walking…” to writing a book on exploring an entire city through a series of walks. Has writing this book redefined walks/walking for her, we wondered. To which Khan says, “The book was shaped in part by this complicated relationship, which is still evolving. During the recent lockdown in Mumbai, for instance, I was not able to walk as often as I used to. When I did go out, it felt like a different terrain. Emptied of its crowds, the bare bones of the metropolis emerged, and I could see features that had always existed, but had been invisible to me.”

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Top Ten Books from Singapore you must read

By Mitali Chakravarty

 

Singapore has completed more than half a century of independent existence. It is now a thriving country with an intrinsic personality of its own. What went into making Singapore a distinctive island cannot be just found in history books but between the borders of fact and fantasy, where lingers fiction that tunes us to the distinct flavour of this unique metropolitan city-state.

As Lee Kuan Yew, the founding father said in one of his speeches, Singapore started with people of  “many races who speak many languages, who worship different gods, who have different diet habits” and yet they all unified under the banner of a single flag. The kind of culture that evolves out of the union of these diversities is best explored in stories that are of the people, by the people and for the people.

These are some novels that showcase the culture and history of Singapore and how it evolved out of the colonial past to become what it is today. These are all books that focus on issues against the backdrop of a national landscape. The issues addressed transcend to become larger than the personal. Some of the writers are Singapore Literature Prize and S.E.A. Write Award winners and have been translated to multiple languages. Read more

Book Review: Squeaky Wheels by Suzanne Kamata

Reviewed by Mitali Chakravarty

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Title: Squeaky Wheels: Travels with My Daughter by Train, Plane, Metro, Tuk-tuk and Wheelchair

Author: Suzanne Kamata

Publisher:  Wyatt-Mackenzie Publishing, 2019

Squeaky Wheels: Travels with My Daughter by Train, Plane, Metro, Tuk-tuk and Wheelchair by award-winning author Suzanne Kamata is more than just a memoir. It is a travelogue written by a mother about travelling with her disabled daughter, a manual on parenting, not only for a disabled child but also for a normal one, a heart-warming account of an expat well able to adjust and enjoy her life in a country where she was not born and an extensive guide to living cheerfully and with optimism despite hurdles.

Suzanne Kamata moved to Japan to teach English, fell in love and married a Japanese man. She gave birth to premature twins one of who suffers from cerebral palsy. Though Kamata’s daughter, Lilia, spends her life on a wheelchair, she loves travelling and dreamt of going to Paris. To realise her daughter’s dream, Kamata applied for a grant to travel to Paris and to write this book. She received a grant from the Sustainable Arts Foundation to fund her trip to Paris. In an earlier interview , Kamata explained that though for funding the writing of this book, she won the Half the Globe Literati Award in the novel category, her narrative is “actually a memoir”. Read more

Book Review: Becoming by Michelle Obama

By Mariyam Haider

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Title: Becoming

Author: Michelle Obama

Publishers: Crown Publishing Group, Viking Press

Michelle Obama’s memoir, Becoming, is powerful, personal and fulfilling. Her writing takes us with her on her journey, from growing up in Euclid Avenue on the South Side of Chicago to calling White House her home. In the course of this larger-than-life story, Michelle Obama offers her readers an insight into how a strong value-based system allowed her to take risks, commit mistakes and learn from them, address failure as a mentor, be honest to herself and develop authenticity as her crusading feature.

The book is divided into three segments: Becoming Me, Becoming Us and Becoming More. She sets the theme of the book in the preface by writing, “I think it’s one of the most useless questions an adult can ask a child — What do you want to be when you grow up? As if growing up is finite. As if at some point you become something and that’s the end.” The title of the book is thus the threadline of how each one of us is in a constant flux of evolution and rediscovery, embracing the unknown and resonating with the deeper voice that commands us to remain true to ourselves. Read more

Book review: Hermitage by Aamer Hussein

Reviewed by Sucharita Dutta-Asane

Hermitage

Title: Hermitage
Author: Aamer Hussein
Publisher: Ushba Publishing International
Price: Pakistani Rs 800/-

 

In 1968, Aamer Hussein met Qurratulain Hyder, the literary stalwart from the subcontinent who was also his mother’s friend. He was 13 at the time. This meeting with Hyder – Annie Khala to him – and her presence in his life, despite the miles separating them, would become one of the defining influences on Aamer Hussein’s life as a writer. He wrote about her ‘intellectual influence’ on him in his introduction to Fireflies in the Mist, 2008 (translated by her from her Urdu Aakhir-i-Shab ke Humsafar). A decade later, he writes, once again, about the relationship and her continuing influence on his writing and reading sensibilities: ‘Annie would guide my reading, criticizing one writer and praising another in a dialogue that continued from trip to trip,’ he writes in “Annie” from Hermitage, his most recent collection of short fiction, published in 2018 by Ushba Publishing International, a small independent press in Pakistan.

‘We shared a past in three countries and two languages… I’d like her to know, I did keep the promise that I made to our shared mother tongue and, tacitly, to her, and tell her as I had at that last meeting: Annie Khala, your hand was always on mine.’

There are others who guide him, shared pasts and literary traditions – Attar, Rumi, Shefta, Ada Jafri, Hussein’s grand-uncle Rafi Ajmeri. Hermitage borrows from their writings and their lives, from stories heard and read. It spreads the oeuvre, drawing from the mystics, from traditional storytelling of the subcontinent and its tradition of storytelling through fable, myth, memoir and music. Persian and Urdu narratives and poetry inform its tonality; the structure of the stories is most often parabolic, the references inter-textual, the undertone one of deep, reflective conversations with the self woven through with a filigree of images and the restrained prose of folklore and metaphor.

Hermitage is a tribute to storytellers, to music and art from this shared past, layered with cultural memory and influenced by oral and written narratives. Love that is ephemeral is made eternal through the words on the page that not only reflect but speak of its melancholic beauty, its music clearer in the gaps and the unsaid than in what is crafted for the reader. ‘And it seemed to him that if one listened to the silence, everything sang to everything else: breeze to water and leaves, water to cloud and branch, birds to the sky…’ (“Lake”).
The larger theme of love and longing draws into itself the sub themes of exile and homelessness, migration, creativity and identity, themes that have occurred earlier in Aamer Hussein’s stories. In Hermitage, their iterations are more intense and subtle, requiring of the reader a greater engagement with the very act of storytelling.   As meaning deepens, brevity becomes meditative.

Exile is not only a physical truth but also a state of mind. Aamer Hussein’s characters are exiles, belonging to yet torn apart from the very sense or place of belonging, often leading a sutured existence, giving rise to the solitude that layers many of the stories. Love and longing, unfulfilled and unrequited, whether for geographical spaces or for emotional geographies, meanders like a stream through these stories, both imprisoning the characters and releasing them.

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When a writer wants you and only you to design their cover

(From Lit Hub. Link to the complete post given below)

As an art director for the Simon & Schuster imprint, I’m fortunate to be able to work on some of the best books being published today and with some of the best editors in the industry. I often have more than enough on my plate designing and art directing our numerous titles, but because I truly love what I do, and I’m a bit of a workaholic, I also have an active freelance career in addition to my full-time job. In my free time, I design a wide range of fiction and non-fiction covers for publishing houses across the US and internationally.

When I was contacted by Grove Atlantic last year to design a memoir, I was thrilled—I had never worked with them before and I’ve always admired the books they publish. When a follow-up email mentioned that the author, Lisa Brennan-Jobs, had specifically asked for me—she found me through a Google search and said she loved the way I integrated illustrations and fonts—I was shocked and incredibly flattered . . . which quickly led to an overwhelming sense of dread that I would never be able to pull this off, and that all of my previous design work had been the result of divine intervention. Such is the roller coaster of creative work.

I soon got over myself and started working. I was immediately drawn in to Lisa’s beautiful manuscript, but it proved particularly difficult for me—I, too, had a messy, complicated, on-and-off relationship with my father for many years after my parents’ divorce. I’d never read anything else that captured the perspective of a young child dealing with a mercurial, often volatile, parent in quite the same way this book does. While it’s rare and wonderful to connect with a manuscript in this way, too much emotional investment can be detrimental to the design process. Often, if I truly love a book or connect with it on a personal level, there’s an added pressure to get it right—to do it justice.

Read more at the Lit Hub link here

Countries in focus: Singapore: Book review

Book review of The Magic Circle by Charmaine Chan

Reviewed by Mitali Chakravarty

The Magic Circle

Title: The Magic Circle
Author: Charmaine Chan
Total number of pages: 302
ISBN 978-981-11-3996-3
Publisher: Ethos Books, 2017
Price: S$18.60

The Magic Circle is a memoir by Charmaine Chan written for her sister who died of cancer. This book was justifiably short-listed for ‘The Singapore Literature Prize, 2018’. According to Jennifer Chen, the editor of The Peak, it is ‘a breathtaking rumination’.

The book is an attempt to recreate the sister she knew for her niece, Yazmin, and to bring the youngster closer to her maternal heritage and culture. Elaine, the sister who dies of cancer, spent a major part of her life in New Zealand and eventually married a New Zealander; her daughter, born and bred in New Zealand, was merely six when the mother passed away. On the brink of death, Elaine made an impassioned plea to her globetrotting sister, Charmaine Chan, writer, journalist, editor, poet and former lawyer from Singapore. ‘Don’t let Yazmin forget her Asian side, make sure she knows all the Asian dishes I love,’ she whispered. ‘Don’t let her forget me…’

Charmain Chan kept her promise and spent a decade creating a perfect memoir for her niece. She writes, ‘For her (Yazmin), I have sealed them(memories of Elaine and her heritage)into black and white, preserved them in print.’

The book is poignant when it deals with sorrow and the impending death that looms over her sister. A skilful weaver of words, Charmaine Chan creates a tapestry of images and feelings that bring to  the fore a lively, vivacious woman cut off from her propensity to enjoy life by the throes of a lingering death, a loving family, grief, a childhood full of sunshine and youthful nostalgia about a sister who formed part of a ‘magic circle’. The three sisters born and brought up in Singapore eventually moved to different corners of the world and had what Chan called ‘a magic circle’, an invisible bond, which was sundered by the untimely death of the middle sister Elaine.

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Sick: An interview with Porochista Khakpour

(From Tin House. Link to the full article given below.)

Porochista Khakpour’s staggeringly beautiful memoir Sick is a travelogue of sorts. As it moves from Tehran to New York to Santa Fe to Los Angeles, each destination exquisitely rendered, the roads it travels—some pot-holed, some dirt, some shiny and quick—are Porochista’s traumas and redemptions. An addiction to benzos. Being hit by a truck. Broken love affairs. A family in distress. Sexual assault. And at the center lies a grim compass, an unbearable illness, one that, especially in the beginning, doctors refuse to believe is real: Lyme disease. Porochista lays all this bare in an effort to discover the roots of her illness.

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Jane Ratcliffe: “I’ve never felt comfortable in my own body,” you write. Yet you go on to say that through chronic illness you began to feel more at home there. It’s easy to imagine the opposite might be true. Can you talk about how that came to be?

Porochista Khakpour: So, I’ve had multiple identifiers that are “marginal.” (I actually hate that term because I feel like it’s like “minority” and in America all of us who are pushed to those identifiers are actually the majority.) They all pose a lot of problems. There was this feeling I had at one point where chronic illness and disability was finally a home where I could be understood—it was not a good feeling, by the way, but one I’d call a dead-end one. I’ve had many of those in my life.  None of my other identifiers seemed acceptable to people around me but illness/disability was a language most people understood, even if they didn’t understand my particular illness or even believe in it. So, my body felt like a settling point. Of course, that settling is temporary, always, but it doesn’t erase that it’s a valid feeling. I am deep in illness all over again now and I do see my body as a home, but a dark cold damp miserable one. I want out of my body all the time, but I am trapped in it, so, well, it’s my unhappy home and I have to make of it what I will.

To read more, go to this link

 

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