poet
Priyanka Tripathi, in conversation with author and academician Brinda Bose where she takes us through her writing journey, what writing means to her and shares her inspiration behind it all.
two countries of same colors
split
and over years
the burden of sketched borders
fenced wires
torn jannat
A preview from The Alphabets of Latin America: A Carnival of Poems by Abhay K. (Bloomsbury, 138 pages, ISBN 9789389867909, Paperback)
The Alphabets of Latin America is collection of poems by poet-diplomat Abhay K. written during his travels across Latin America between 2016-2019. Organized alphabetically from A-Z,it takes you on a roller coaster ride to one of the most culturally and geographically fascinating continents known for its legendary Maya and Inca civilizations, sizzling Samba and Tango, the world’s biggest carnivals, labyrinths of Borges, magic realism of Gabriel Garcia Marquez, great poetry of Ruben Dario, Pablo Neruda , Gabriela Mistral, Cesare Vallejo, Octavio Paz, fascinating art of Frida Kahlo and Fernando Botero, among others.
Tagore’s bust at his ancestral home at Joransankho, Kolkata
Debendranath, Rabindranath’s father’s bust
On May 7 th, 1861, was born a man who left an indelible mark in the world of literature, philosophy, music, education and on the lives of many people. He wrote the national anthem for at least two countries, India and Bangladesh, and influenced the writer of the national anthem of a third country, Sri Lanka.
Rabindranath Tagore, the first non- European Nobel prize winner, was a remarkable man. Despite having his songs picked for national anthems and providing inspiration to other national anthem writers, he was critical of a system that drew borders among men and created hatred or intolerance. He withdrew from the politics of nationalism. He wrote: “…my conviction (is) that my countrymen will gain truly their India by fighting against that education which teaches them that a country is greater than the ideals of humanity.”
Front view of the Tagore mansion
The Tagore family car
Prayer hall in Tagore’s home
Reviewed By Mitali Chakravarty
Title: Vital Possessions
Author: Marc Nair
Publisher: Ethos books, Singapore
Vital Possessions is a collection of poems, haikus, monologues and photographs by award winning Singaporean poet and photographer Marc Nair. The content reflects the tussle between city life and nature.
Marc Nair takes us on a journey through ASEAN countries — Taiwan, Japan, Indonesia, Malaysia and of course Singapore. He finds nature pushing its way through the crevices of city life. In one of his haikus, accompanied by a photograph of a worn out wall with grass growing out of the gaps, he writes,
“Nature never fails
to push against the grain
of forgotten cities.”
When I see the picture and read the lines, what springs to my mind is the St Paul’s church in Malacca, built in 1521, a forgotten church of a bygone era. The monument has vegetation growing out of crevices, which many old buildings would have. However, a sense unique hopefulness is brought to the fore by Marc Nair’s brevity of words to create a picture perfect perspective.
Mosaic and Illusions by Minal Sarosh Minal Sarosh is an Indian English poet and novelist. Her first poetry […]
Proscenium and Last Yarn by Iain Lim Jun Rui Iain Lim Jun Rui an aspiring poet and filmmaker. A […]
Reviewed by Ananya S. Guha
Title: Shillong Times: A Story of Friendship and Fear
Author: Nilanjan P. Choudhury
Publisher: Speaking Tiger (2018)
Pages: 237
Nilanjan Choudhury’s novel Shillong Times, as the subtitle suggests, is a ‘story of friendship and fear’. Friendship’s association with ‘fear’, then, seems to be a thematic focus.
Set against the backdrop of Shillong in the volatile times of the 1980s, the novel is an addition to what is now turning out to be a fairly long list of fiction, including short stories which revolve around this town. Anjum Hasan’s Lunatic in My Head, Siddartha Deb’s The Point of Return and Janice Pariat’s Boats on Land come readily to mind.
Choudhury, however, builds a more conscious landscape than the others to take us to the world of his fourteen year old protagonist Debojit Dutta, who in Blakeian terms leaves his ‘innocence’ behind to ‘experience’ his new found world, thanks to his friendship with two other teenagers, Clint Eastwood Lyngdoh and the empathetic Audrey Pariat. It is the former who introduces Debojit Dutta, when they meet in mathematics tuition classes, to the world of Pink Floyd and the out-of-bounds restaurant Kalsang.
I mentioned the volatile times of the eighties that forms the backdrop of the novel. Choudhury poignantly interfuses community relations (tribal and non tribal, the Bengali superiority syndrome, the Sylheti speaking Bengalis and the Calcutta Bengalis, etc.) with personal ones. Yet these personal friendships are among teenagers, which their adult counterparts or forebears seem to look askance at. Debojit’s mother reprimands him for this, so does his school teacher (lampooned effectively) Mr. Chakravarty. Clint’s father refuses to help in getting the trading licence of Debojit’s father renewed, although he saves him in a potentially violent squabble.
As ethnic tensions rise in the town of Shillong, resulting also in conflict of relations between Debojit and Clint (thanks also to the meddlesome Mr. Chakravarty), Debojit’s parents contemplate shifting to Calcutta and remove him to a school in Calcutta despite his protestations. Debojit also suffers taunts from his locality members for befriending a tribal, a Khasi. All this while, the petite Audrey plays a quiet mediating role, playing across the broken friendship of Debojit and Clint and building bridges.
(From The National. Link to the complete article given below) … In describing Darwish’s legacy and greatness, Ahdaf […]
