From Digital Asia Hub We’re thrilled to announce a 2-day event, aimed at generating ideas and pieces that […]
speculative fiction
Kitaab is seeking high quality short stories for The Best Asian Speculative Fiction anthology to be published next year. We take a liberal approach towards defining the speculative and will look beyond popular categories of science-fiction, fantasy and horror though these are very much welcome. Our anthology editor is looking forward to reading a variety of stories which could include dystopian, apocalyptic, post-apocalyptic, weird, utopian, alternate history, superhero and any permutations and combinations of these. But first and foremost your story should be engaging with attention to characterisation and plot.
Give us stellar tales that slip past the quotidian and the mundane, transporting your reader to the edges of the possible and realms further still. Whisk us away to Murakamiesque wonderlands or Huxleian cacotopias; indulge us with the outré, the outlandish, the uncanny. We are looking here for a whiff of the Asimovian imagination, a taste of Lovecraftian weird, a dash of Atwoodesque futures. Take us on journeys through chinks of space-time, fling us into situations of climate change horror. No fan fiction please. Give us mind-blowing originals.
The best three stories (decided by the editor) will get cash prizes or Amazon vouchers (worth $50 each)! All selected contributors will each receive 2 complimentary copies of the final publication.
If you are interested to delve a little deeper into speculative fiction, here is an article by Annie Neugebauer.
by Felicia Low-Jimenez, Interviews Editor, Kitaab
The first time I read a story written by Zen Cho was in LONTAR #1: The Journal of Southeast Asian Speculative Fiction. The piece was titled Love in the Time of Utopia and was set in a possible future-Kuala Lumpur. I was immediately intrigued and wanted more. The second time I came across Cho’s name was when I read about a new collection of short stories, Spirits Abroad, which was going to be published by Fixi Novo, an award-winning Malaysian publisher well-known for putting out edgy, controversial titles by local authors. I was intensely curious to find out more because science fiction and fantasy writers hailing from Southeast Asia are relatively rare compared to those from the west—at least those writing and publishing in English. The third time I heard Cho’s name was when I learned that she had been picked up by major publishing houses (Ace Books in the U.S. and Pan Macmillan in the UK) for a new fantasy trilogy set in Victorian London. The more of her stories I read, the more I realized that Cho is an immensely imaginative writer who is able to infuse a vulnerable humanity into the mythological creatures that she writes about, and at the same time, as many great speculative fiction writers do, comment on the society in which she lives in—regardless of where she might be.
You primarily write speculative fiction. Is there a reason why you gravitate towards these particular genres?
I enjoy science fiction and fantasy on a few different levels–I like the element of strangeness; I get a kick out of dragons and spaceships; and I like playing with the tropes. They’re hooks you can hang a story on, and then you wander off and explore a bunch of other things at the same time. I don’t really like stories that are only about one thing, which is what contemporary non-genre fiction often feel like to me.
Violence against women has spurred a collaboration between female writers in Australia and India.
Eat the Sky, Drink the Ocean (Allen and Unwin) is a collection of speculative fiction stories and graphic stories.
It’s aim is to imagine another world and future for young women and has an explicitly feminist intent.
