IMG_0570A short story and poetry competition  from UK with a mission!

Here is a contest in which every entry will ensure a tree planted in the Bore region of Kenya — the only writing competition in the world to plant a tree for every entry!

The short story can be upto 4000 words and poetry upto 50 lines. You are free to choose the subject!

bg_as_slow_as_possible

Title: As Slow As Possible

Author: Kit Fan

Publisher: Arc Publications

Year of Publication: 2018

Links: https://www.arcpublications.co.uk/books/kit-fan-as-slow-as-possible-584

 

 

Among School Teachers

 

The gate closed, bell unanswered, basketball court

stripped bare to lines and sparrows.

July is never the month for learning.

 

A school on Clear Water Bay Road, yet no water

bay, nor road. A bridge, along the scar of a hill

through the Lotus-flowered Magnolias I used to cross over

to the clamour of books.

 

A month of no children, but the translucent playground

after rain recalls the aftermath of hide-and-seek:

What’s the time, Mr Wolf?

By Farah Ahamed

 

“The longer you look at an object, the more of the world you see in it. No matter how particular the scene, if you stare long enough you will see the whole world in it.” These words, from the pen of Flannery O’Connor, refer to that split second when we can “see things for what they really are” and they led me to reflect upon which “objects” could offer an understanding of the “whole world”,

Recently, monuments across the globe have become the subject of controversy. After eighty years at the University of Cape Town, the bronze of white supremacist Cecil Rhodes was removed; at the University of North Carolina, Silent Sam, a Confederate statue, was taken down and, in San Francisco, a 19thCentury monument, Early Days, demeaning to Native Americans, was uninstalled. Where for decades they had previously stood accepted as part of the landscape, now these statues outraged viewers. Altered circumstances meant they represented an uncomfortable “truth”, which some argued should not be commemorated, but also in fact, ought to be erased.

What is certain is that a monument’s power ebbs and flows with the passing of time, resonating or jarring with the past as the present changes.

Each time a viewer stops to look closely at a statue, it reveals a new meaning. Whenever it is revisited, a different significance emerges, because while the statue stays intact in its fixed location the viewer and the world continue to change. Furthermore, as history unfolds, a statue will emphasise, reveal, hide or quash stories. This makes it “a place” rich in possibilities for both metaphorical and literal epiphanies and fertile ground used by artists and writers to offer what Joseph Conrad described as “a glimpse of truth”.

Bani Abdi is an artist who uses a statue to provide a platform for an alternative narrative about the Empire. Her modern art installation Memorial to Lost Words, “a song installation based on letters and songs from the first World War” of Indian soldiers in her own words, focused on the suppressed stories of the Raj which she highlighted by changing the sounds around the imposing monument of Queen Victoria at the Lahore Museum.

IMG_0686Harry Potter came into being more than two decades ago, in 1997, with The Philosopher’s Stone. The movie series started a little later in 2001, after JK Rowling had already published the fourth adventure of Harry Potter, The Goblet of Fire. The last in the series of Harry Potter books ended with The Deathly Hallows in 2007. 

IMG_0685The popularity of young Harry Potter is such that Warner Brothers continue to create scripts of other adventures from the world of Harry Potter, namely Fantastic Beasts and Where to Find them and the latest, Fantastic Beasts: The Crimes of Grindewald.  There are also reports every now and then of more such outcroppings with the next one predicted in 2020. Non-fiction books about the world of Harry Potter have come to light this year and some more are to follow.

By Desmond Kon Zhicheng-Mingdé

ELAINE CHIEW HEAD SHOTS 9806asb_w

Elaine Chiew is a writer and a visual arts researcher, editor of Cooked Up: Food Fiction From Around the World (New Internationalist, 2015) and her short story collection The Heartsick Diaspora is forthcoming from Penguin Random House SEA (Oct 2019) and Myriad Editions UK (Jan 2020). Twice winner of the Bridport Short Story Competition, she has published numerous stories in anthologies in the UK, US and Singapore. Originally from Malaysia, Chiew graduated from Stanford Law School and worked as a corporate securities lawyer in New York and Hong Kong before studying for an MA in Asian Art History at Lasalle College of the Arts Singapore, a degree conferred by Goldsmiths, University of London. Elaine lives in Singapore and blogs about art at www.invisibleflaneuse.blogspot.com. In this interview, she reveals more about her new book and her ideas.

Why do you write?

Very simply, I can’t not write, call it word-constipation or what Danish short story writer Naja Marie Aidt calls ‘an urge that cannot be overlooked’ or a ‘point of desire’. A character or voice arrives out of the blue, takes hold of you as in a waking dream, make me real, it says, and you do.

IMG_0570

Here is a UK- based flash fiction contest where you can choose your entry fee.

They say: “We operate a choose your own entry fee system. The suggested entry fee is £7 per entry (£6 per entry for two, or £5 per entry for three or more), but if that’s prohibitive, just pay what you can afford. If you’d like to support a writer who can’t afford the full fee, why not add a pound or two?”

The contest ends 30 th November, 2019.

Rati pic

Rati Agnihotri is a bilingual English-Hindi writer, poet and television journalist. She did her BA (Hons) in English Literature from Miranda House, University of Delhi, and MA International Journalism from University of Leeds, UK. She runs the poetry group ‘Moonweavers: Chaand ke Julaahe’ in the city along with other fellow poets. Her book of poem, The Sunset Sonata, was published by the Sahitya Akademi. Her English poems have appeared in Indian Literature, South Asian Ensemble, Nether Magazine, Dead Flowers: A Poetry Rag, The Challenge, Muse India, Kritya and others. Her Hindi poems have been published in Pakhee, Retpath, Samvadiya, Yuddhrat Aam Aadmi, Parikatha,among others. She also translates poetry and nonfiction from Hindi to English. Agnihotri’s previous assignments include a fellowship at Radio Deutsche Welle’s south Asian department in Bonn, Germany. She currently works as a correspondent for China’s CNC World TV and based at their office in New Delhi.

Bradford Telegraph and Argus: Syima Aslam and Irna Qureshi, organising the Bradford Literature Festival after it received funding from the Arts Council.

Syima Aslam and Irna Qureshi, organising the Bradford Literature Festival after it received funding from the Arts Council: Telegraph & Argus

A new literature festival for Bradford aims to be the first in the UK to champion world literature and British writing on an equal footing.

The Bradford Literature Festival is being set up by two local bookworms who believed the city deserved its own festival to rival those in Hay-on-Wye and Edinburgh.