(From Publishing Perspectives. Link to the complete article given below) The independent publisher of mostly children’s books, Dar […]
The Best Asian Short Stories 2017, edited by Monideepa Sahu, series editor Zafar Anjum, set the tone for Kitaab’s Best Asian series that includes literary and speculative fiction, travel writing and crime. Zafar Anjum shares with us his vision for this seminal book and for the series that he has envisioned. Monideepa talks about her experience as editor for TBASS 2017.
Sucharita: Zafar, what was your vision for the series? Why did you feel the need to bring together short stories from across the continent?
Zafar: The whole idea behind Kitaab is to connect Asian writers with readers everywhere in the world. Coming from this context, I felt that we needed to collect the best contemporary Asian writing across themes in edited annual volumes. I had seen this kind of anthologies in the USA, but nobody was doing it in Asia, collecting Asian voices. That’s how the idea behind the Best Asian series took shape. The vision is to create a series of The Best Asian writing in fiction (literary and speculative), crime writing, and travel writing. Each volume is a mix of new and seasoned voices that makes it so exciting. Through the pages of these volumes, you get a glimpse of what the respective societies in Asia are going through. If there is enough support by readers, hopefully we will be able to sustain the series. That’s my hope.
(From The Hindu, by Parvati Sharma. Link to the complete article given below) The Mughals have garnered many […]
Proscenium and Last Yarn by Iain Lim Jun Rui Iain Lim Jun Rui an aspiring poet and filmmaker. A […]
(From The Hindu by E.V. Ramakrishnan. Link to the complete article given below) This year marks the eve […]
Title: Eucalyptus Sextet
Author: Jane Bhandari
Publisher: Bombaykala Books (November 2018)
I sipped love from your lips
and warmed my soul against your body,
then left you sleeping
while I wrote of love.
The best was that morning
flavoured with delight:
After a night
spent drinking your body
I arose to write it down
before I lost the savour
and you slept, not knowing
I had turned satisfaction
into a number of words.
If I had known
you would go so soon
I would have left writing
till later: but what I had
was an itch
that would not be scratched,
and still I write of it.
Something comforting in the routine
of domesticity: The way
one chore follows upon another:
The clothes to be ironed
the plates to be washed
the food to be cooked.
Shower, dress, and wait
for the telephone to ring.
A little music, the television
blaring inane laughter.
The sun shines steadily.
I go to the bank, the market,
meet a friend, read a book…
such a comfortable routine
to settle back into,
so boring, so alone.
By Tienny The
On Sunday, 4 June, 2018, I was privileged and honoured to have Kitaab Publishing arrange the book launch of Turtle City: Cavity Monsters at the Singapore Writers Festival.
I was thankful for the presence of my mother, husband, son and friends (Jessica Yeo, Kisato, He Shu Xin, Teresa, Katherine Seow, Rusyinni Rusanto, Thomas Tee, Rachel Tee, Jonathan Tee, Evangeline Neo, Winston Chan Boon Hock, and Sherrley Seah) who witnessed the publication of this book. I am also grateful to those who came for the launch to give their kind blessings and support and to Perine Seah who was my moderator as well.
The idea of this book was born in 2013 when my son was three years old. Around this time, he began to lose interest in brushing his teeth. It was a great challenge to engage his interest in doing so and many questions flashed in my mind. What if people don’t brush their teeth? What if the teeth are gone? With these, the characters of cavity monsters began to appear in my head. Visual events and story situations flooded my imagination and I shared the story with my son. The story convinced him to take action, to resume the good habit of brushing his teeth. Now he expects more such stories from me. It is a challenge to create series of bedtime stories for him and I have to come up with new ones every day.
(From Publishing Perspectives. Link to the complete article given below) While other markets around the world reported relatively […]
Reviewed by Mitali Chakravarty
Title: B-Sides and Backslides: 1986-2018
Author: Felix Cheong
Publisher: Math Paper Press by Books Actually
B-Sides and Backslides is the award-winning Singaporean poet Felix Cheong’s collection panning the development of his poetry from 1986 to 2018. In the foreword, the poet writes, ‘These are pieces which… could not find their place in my published volumes.’ The title alludes to ‘the flipsides’ of his poetry. He compares them to the B-Sides of Beatles’ albums, which often had songs that were really interesting but not top of the charts. They remain an interesting part of a creative process. However, he claims that he has not ‘blackslid even if it might appear so,’ and in that spirit, his poetry touches our lives with its humour and variety.
The book is divided into different periods of his development as a poet. In “Juvenalia”, the section tracing his development as a poet for the first nine years, he says, ‘In various voices and versions, I have been trying to rewrite Prufrock the past thirty years…’ However, through the course of his poetry we can see how he transcends the torpor of the procrastinating Prufrock (“Love Song of J. Alfred Prufrock”, T. S. Eliot, 1910) and the angst generated by Hollow Men (T. S. Eliot, 1925) to become a caricaturist of Singapore life, politics and culture. In “We are the Salarymen”, with an epigraph of the first two lines of Hollow Men, he concludes,
We maybe the hollow men,
but the least we own
is our honesty to know
we have the means to fill
and fulfil this emptiness,
stuffed fool and full of yourself,
little more than moans and bones
on a high horse galloping
with the weight of a lost world.
Kitaab, Singapore, has just published an anthology—The Best Asian Speculative Fiction 2018, which was launched at the Singapore Writers Festival on 9 November 2018.
This unique anthology is being seen by industry pundits as the most comprehensive speculative fiction collection from the continent. Comparisons are already being made with time honoured works like Dark Matter, the turn of the century anthology of speculative fiction from the African diaspora. However, as the editor of the volume Rajat Chaudhuri tells us, ‘We are just making a beginning with fresh-from-the-oven stories. Between stardust and dystopias, we are offering a sampling of flavours from the infinite breadth of the Asian imagination.’
According to series editor Zafar Anjum, ‘Richness of imagination is key to this collection; we plan to make it a series.’ Tales that take off on a tangent from the real have a special appeal to readers of all ages, he says.
Chaudhuri, who is a novelist and short story writer tells us how fulfilling it was for him to put together this volume of two and half dozen stories and some more, covering countries all the way from Kazakhstan to Korea and China to Indonesia. ‘The authors of this volume are either of Asian origin and Asian descent or have been residing in Asian countries for long. Twenty countries have been covered, sixteen (counting Hong Kong, SAR) of which are in Asia, the rest accounted for by diasporas and mixed ethnicities. Also, most of the stories have Asian settings and characters. But we are neither cartographers nor accountants,’ he adds, ‘though we love variety, we don’t want to mark each page of our book with flags and numbers.’
Quoting acclaimed novelist Amitav Ghosh, Chaudhuri says, “The great, irreplaceable potentiality of fiction is that it makes possible the imagining of possibilities.” Explaining the selection process and some personal favourites, the editor says, ‘From the mountain load of submissions, I had begun by looking for stories that imagined possible worlds. Lopa Ghosh’s powerful story Crow depicting singularity ruling as a totalitarian dictatorship and Shweta Taneja’s darkly funny The Daughter that Bleeds about a post-apocalyptic India are from that tradition. We have of course included a ton of so-called genre stories from the stables of science fiction, fantasy and horror and then those with some of this and some of that, and things further still. Xu Xi’s engaging tale about a time-travelling ghost, Joseph F. Nacino’s spine-chilling story about AI on a singing asteroid, Eliza Victoria’s thought-provoking sci-fi Web, and Priya Sarukkai Chabria’s mesmerizing Slo-Glo are those that immediately come to mind. The spook-o-metre goes crazy as you enter the horror stable to read stories by Kiran Manral and Rohan Monteiro while Tunku Halim leads you into poetic darkness. Each story that got included here had something unique to offer while the focus on geographical diversity was also one of my considerations. It has been quite difficult for me to choose the winners.’