Book review by Tan Kaiyi
With the rise of the Asian Century, the global community typically shines its spotlight on the economic progress of the region. Much is made of the advancing wealth of nations like India, China, Singapore and Vietnam. But while the economic progress is an easy unifying narrative that could be woven through the different countries, equally important — but much more challenging — is charting the breadth and depth of the Asian literary imagination.
The Best Asian Short Stories 2019 is up to the monumental task. The editor of the anthology, award-winning author Hisham Bustani, highlights the main obstacle to the endeavour when assembling the collection:
“…there is no such thing as a well-defined, self-contained, concrete, unified Asian identity…”
He explains the issue by contrasting it with Europe. While similar to Asia with a geography that contains multiple language and cultures, the region “claims a unique identity and set of ‘European values’ that separate it from others…” This consequently gives a literary landscape in the region a halo of universalism. Whether it is true at heart or not is certainly up for debate, as Bustani rightly points out that some communities like Turkey are isolated from the Eurocentric ideological bloc.
