By Kaamna Jain
The second most interesting thing about former High Court judge Mahesh Sharma’s peacock theory is that somehow being celibate makes the peacock a superior animal. The first thing of course is that it’s a completely unscientific fact which has been quoted while giving judgment in a criminal case. The judge needs to be reminded that he as well as the entire human race is a product of sexual reproduction. Then why celebrate and put organisms that reproduce asexually on a higher pedestal?
For years students of science have been taught that sexual reproduction is better than asexual reproduction for evolution because it creates genetic variety. This helps a species in adapting to constantly changing and challenging environment, even though sexual reproduction is more cumbersome and less efficient. That is the reason sexually reproducing species are at the highest rung of the ladder while single cell organisms which reproduce asexually are at the very bottom of the pyramid.
It is the taboo surrounding sex that sets the context for the book, “Erotic Stories for Punjabi Widows”, written by Singapore based author, Balli Kaur Jaswal. Published in early 2017 by Harper Collins, movie rights have already been sold to Ridley Scott’s production company, Scott Free Productions, and Film4.
The title is an intriguing misnomer. Erotic stories? Sure, any time. But for Punjabi widows? In a patriarchal society, widows are deemed to be even lesser beings than women and somehow supposed to be asexual beings, bereft of desires and fancies once their better halves leave for their heavenly abode. The word “widow” conjures the image of a lady clad in white, engaged either in religious or household chores. That such a creature could have erotic stories to share or sexual fantasies, takes time to get used to. Once you get used to the idea, the surreptitious thrill of enjoying something forbidden also screams out loud from the title. I quickly ordered a copy online. Now I happened to be travelling and thanks to the title, was extremely uncomfortable about getting it delivered to a neighbour’s house for safekeeping. After that, I could not bring myself to say the name of the book when asked by an elderly uncle what I was reading currently.
The story is set in Southall and Enfield, London. The protagonist is a young British girl of Indian origin, Nikki, who is trying to figure out what she wants to do in life. Brought up in Enfield, which is a more British part of London, she gets tricked into an assignment to take writing class for Punjabi windows in a Gurudwara in Southall. She wants to “help the women” and believes that “everyone has stories to tell. It would be a rewarding experience to help Punjabi women to craft their stories”.
In this ebook, in powerfully original rewritings that combine humour and satire with acute social and political commentary, Tabish Khair uses William Shakespeare’s sonnets to paint a memorable and moving picture of the world in corona quarantine. This is arguably the first major work of literature to come out of the corona crisis. With iconoclastic humour and intelligence, it runs the readers through a gamut of emotions. It is also a clarion call for change. These 21 sonnets range from initial humorous riffs on the foibles of our age but grow progressively darker and more acerbic, while always playing with Shakespeare’s original works. A must-read for our times!
