(From Literary Hub. Link to the complete article given below) In 2017, the year of Donald Trump’s inauguration, […]
It took Emily X.R. Pan nearly a decade to write her debut novel The Astonishing Color of After. She’d […]
By Dibyajyoti Sarmah
Name: Boy of Fire and Earth
Author: Sami Shah
Publisher: Pan Macmillan
Could you ever imagine a full-blown fantasy novel set in the murky underbelly of modern-day Karachi? A fantasy novel rooted in Islamic concept of heaven and hell? A fantasy novel where the archetype of evil itself, Iblis (The Devil of The Bible) makes an appearance as a lovable rogue? Perhaps not, especially in the context of today’s polarising attitude to the religion itself. This is one of the reasons that makes Sami Shah’s incredible Boy of Fire and Earth such a joy to read. It takes you back to the days of Arabian Nights and Dastan-e-Amir Hamza, via of course, the western import of video games, comic books and the all-encompassing influence of Neil Gaiman.
For a while, modern South Asian writing is flirting with creating its own brand of fantasy fiction mixing local fantasy elements with established western tropes, as Ashok Banker did recently in Awaken. However, this concoction never felt as original as it does in this book. This is perhaps because Shah prepares you by setting up the rules before he unveils his big adventure.
So we meet our intrepid hero Wahid, a sickly but smart middle school teenager with just two close friends who share his love for science fiction and video games. He falls in love with a classmate and his friends begin experimenting with drinks, as occasional gun fires and bomb blasts continue to rock parts of Karachi. It’s the real deal and life is good, until Wahid meets with a car accident, sees his friend die and witnesses his would-be girlfriend’s soul being sucked away from her body by a shadowy figure.
By Mitali Chakravarty
Author: Mehded Maryam Sinclair
Publisher: The Islamic Foundation
Total number of pages: 217
Price: US$ 9.95
When Wings Expand is a novel in the epistolary technique that highlights a young girl’s battle to accept losing her mother to cancer, conquering her fears and anxieties with love and deep-rooted faith. Though the author, Mehded Maryam Sinclair, intended this to be a book that would be ‘about how fully and conscientiously practicing Muslims see and deal with their losses’ (http://productivemuslim.com/interview-with-maryam-sinclair/), her narrative has transcended the boundaries of a single faith to reach out to the hearts of all mankind.
The protagonist, as in Young Adult fiction, is a young teenager called Nur (‘sacred light’). Located in Canada, she is battling her sense of loss as her mother succumbs to cancer. With the legacy of her mother’s love and faith, Nur discovers that ‘what makes a person different is how they choose to deal with the pain’. She learns to build on her strengths, travels back to her mother’s home in Turkey and finds courage in the love that surrounds her and her family. After she returns to her home in Canada, she slowly learns to help her younger brother as well as other young cancer-afflicted patients and their families come to terms with their pain. Her journey towards recovery helps her conclude that ‘It seems life has gotten bigger, like more things are possible — it’s like pain is a smaller thing inside a much larger me.’ She exudes a sense of light and joy to sufferers around her, proving to them that after a loss wings can still expand, as does that of the butterfly coming out of a chrysalis.
The image of the chrysalis runs through the book. The body of the butterfly shrinks and the wings expand after it emerges from the pupa so that it can fly. Nur feels this is what love and faith does to sufferers. Love and faith shrinks the body of their grief so that the sufferers can grow wings and fly towards a better future.