Kamila Shamsie is a British Pakistani writer who was given the German Nelly Sachs Prize.This award, named after the 1966 Nobel laureate, is given to a writer whose work shows “tolerance, respect and reconciliation”.
However, this month the award was withdrawn by the award committee for Kamila Shamsie’s support of BDS ( Boycott, Divestment and Sanctions movement), which opposes the long- term occupation of Palestinian lands by Israel peacefully. Hundreds of writers have protested this move.
Kamila Shamsie herself expressed regret over the committee’s recent decision:
“In the just-concluded Israeli elections, Benjamin Netanyahu announced plans to annex up to one third of the West Bank, in contravention of international law, and his political opponent Benny Gantz’s objection to this was that Netanyahu had stolen his idea; this closely followed the killing of two Palestinian teenagers by Israeli forces – which was condemned as ‘appalling’ by the UN Special Coordinator for the Middle East Peace Process,” she said.
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… Over the past year, a group of Arab American writers—Hayan Charara, Marwa Helal, Randa Jarrar, Fady Joudah, […]
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Words Without Borders, the widely-respected magazine of world literature in translation, has devoted its May 2015 edition to new writing from Palestine.
As the blurb for the special edition emphasizes, the “eight young authors here work in multiple languages and hail from five continents, testifying to Palestinian literature’s vast thematic, stylistic, and linguistic range.”
Golda Meir stated that if the Palestinians were a people, then they would have literature. No one now […]
At age sixteen, I wanted nothing more than to leave my home in Utica, New York for some place, any place that would offer freedom and adventure. My parents, liberal, strongly Zionist Jews, were more than protective; the line between mothering and smothering, had become intolerable. Finally they agreed to send me to Israel to study Judaism and Hebrew with our rabbi’s perfectly well behaved and obedient daughter Miriam. I was sixteen-years-old and it was the summer of 1982.
Other than the blue-and-white tin Jewish National Fund sedakah box my family kept in the kitchen and the money we gave to plant trees in Israel, all I knew was that after the Holocaust, the Jews found a land without a people for a people without a land and made the desert bloom. In retrospect, the sedakah box and the tree planting were a very smart way to create Jewish attachment to Israel. We saw the box every day in the kitchen and were reminded that Israel and our fate were the same. Planting trees was also brilliant, reinforcing the idea that Palestine was a barren land before the Jews arrived.