Critically acclaimed, award winning author Rahman Abbas needs no introduction. A Mumbai based fiction writer whose book Rohzin won the prestigious Sahitya Akademi Award in 2018, Abbas is known to captivate the readers with unique storylines and unforgettable characters. Since his debut in 2004 with Nakhalistan ki Talaash ( The Search of an Oasis), he has penned one masterpiece after another. From winning awards to having his books translated into various foreign languages, he has done it all. Rohzin was not only the first Urdu novel to be discussed in Germany, it was also adopted as a part of Urdu curriculum in INALCO. Sometime last year, he won a research grant for his next novel and travelled to Europe.Read more
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China is under severe criticism again — not from Trump this time but from PEN America, an organization that hovers between human rights and literature.
That there are re-education camps in China where millions of Uighurs and residents of Xinjiang get re-educated is a fact that is coming under focus now. This time, it seems they sent seventy-year-old Nurmuhammad Tohti, a Uighur writer for re- education and he died.
According to his grand daughter who lives in Canada, he was not treated for his medical condition, diabetes and heart disease.
Veteran actor, playwright and multi-lingual scholar, director Girish Karnad(1938-2019) died on 10 th June, 2019. He was eighty-one. He passed away peacefully at his home due to old age. He is survived by his widow, Saraswathy Ganapathy, his son Raghu Amay and his daughter Shalmali Radha.
He was cremated quietly by his family. No fanfare or rituals were allowed as per his last wishes.
Prime Minister Modi tweeted that this great Jnanpith Award winner will be remembered for “his versatile acting across all mediums,” and his work “will continue to be popular in the years to come”. Opposition leader Rahul Gandhi wrote that India “has lost a beloved son, whose memory will live on in the vast treasure trove of creative work he leaves behind”. Read more
Five unpublished creations of the acclaimed maestro Satyajit Ray will be brought to light next year by Penguin.
The much acclaimed and awarded film-maker, screenwriter, author, lyricist, music composer and graphic artist, has been the sole recipient from India of an honorary Academy Award (Oscar) in “recognition of his rare mastery of the art of motion pictures, and of his profound humanitarian outlook, which has had an indelible influence on filmmakers and audiences throughout the world” (1991).
With recognition streaming in from across the world, including an honorary doctorate from Oxford University, Satyajit Ray has been a multi-faceted persona in the world of literature and films. Many of us grew up with his unique stories, in Bengali or translated, long or short, some bordering on science fiction, some on mysteries and some on political and social drama. A report in The Hindu tells us more about his forthcoming publications.
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(From the New York Times. Link to the complete article given below)
HONG KONG — Ma Jian, an exiled Chinese novelist who lives in London, took the stage at a packed Hong Kong theater last month and asked the audience a question: Who among them had read “1984”?
Mr. Ma, 65, was at the annual Hong Kong International Literary Festival to promote “China Dream,” his satirical novel about President Xi Jinping’s eponymous domestic propaganda campaign. He told the crowd that the book, published last month in English (Counterpoint will offer it in the United States in May 2019), showed how the dystopian future that George Orwell’s fiction once warned about had become a reality in the Chinese mainland under Mr. Xi’s leadership.
“I’m going to carve this book in stone and bring it to Orwell’s grave,” he said, before reading a passage from it that he had copied onto his iPhone.
“China Dream” is a sharper political allegory than Mr. Ma’s earlier novels. It crackles with bruising satire of Chinese officialdom, and an acerbic wit that vaguely recalls Gary Shteyngart’s sendup of Russian oligarchs in “Absurdistan,” or even Nikolai Gogol’s portraits of Russia’s provincial aristocrats in “Dead Souls.”
Yet even for Mr. Ma, whose work is banned in mainland China, the novel is especially provocative because it makes a critique that is rarely uttered aloud these days by ordinary Chinese: that censorship and repression under a Xi-controlled Communist Party bears an eerie resemblance to that of the Cultural Revolution.
The Jordanian-Palestinian author Ibrahim Nasrallah—twice before in the running for the award—has been named the winner of the 2018 International Prize for Arabic Fiction.
In its annual prize ceremony on Tuesday evening (April 24) at the Fairmont Bab Al Bahr in the United Arab Emirates’ Abu Dhabi, the International Prize for Arabic Fiction has conferred its US$50,000 prize on Jordanian-Palestinian author Ibrahim Nasrallah for his cautionary futurist novel, The Second War of the Dog.
The book was first published in Arabic in 2016 by Lebanon-based Arab Scientific Publishers. Rights are represented by Raya Literary Agency. More information, including a sample translation, is available upon request here.
Nasrallah will participate on Wednesday (April 25) in an event with his five fellow shortlistees at the opening day here at the Abu Dhabi International Book Fair, which runs through May 1. That prize event with Nasrallah and his colleagues is set for 7:00 to 9:30 p.m. at the Sea of Culture Foundation stand at the fair (12B36), under the patronage of the Sheikha Shaikha bint Mohammed bin Khalid Al Nahyan.
Nasrallah has said that his book is “a warning of what we could become in the future.”
The book starts at what he calls “the moment of a loss of certainty, that loss of trust in those whom you interact closely with–that neighbor, brother, father, or whoever it may be.
If you’ve got an author website, you know how important it is to have great text for it—but it’s not going to hold anyone’s attention if you’ve just got a wall of words on your home page! It’s important to have eye-catching images to go along with your text. Here are the five elements that make for great pictures on your site:
Most importantly, the pictures you include must have a good reason for being there. Make sure they’re relevant to the topic being discussed in your text and that they add something to the overall meaning of it. That means no dancing babies (unless your text is about annoying, overdone animations from the mid-to-late ’90s). The bottom line is: Don’t choose an image just because it’s fun, amusing, or shocking; make sure it works for your visual branding.
Writing a book is not enough. You also need to promote it. Here is a list of bloggers/writers who interview authors. This is a global list.
Eri Nelson: Wonderful Reads of the Month – http://www.wonderfulreadofthemonth.blogspot.com/
Teddy Gross on Jewish-themed books – http://bit.ly/GEhQR8
Jon Bloch: http://www.jonpbloch.com/interviews.html
Sylvia Browder: http://bit.ly/z0nKjQ
Paper Dragon Ink: http://bit.ly/vZpdXG
Kris Wampler: http://bit.ly/ymaBEw
Morgen Bailey: http://morgenbailey.wordpress.com/blog-interviews/
Sylvia Ramsey: http://www.thoughtfulreflections.blogspot.com
Kate Brauning writes excellent book reviews: http://katebrauning.wordpress.com/
Among the bunch of famous Indian novelists and writers, Richard Crasta‘s name might not be as widely recognized as that of a Seth or a Rushdie, but few would come close to him in being funny, witty, satirical and daring–all at the same time. If you don’t believe me, I can get American legendary novelist Kurt Vonnegut to vouch for him who found his first novel, The Revised Kama Sutra, “very funny”. After Khushwant Singh (who is 90 plus old but still active as a below the belt heavy hitter), if any Indian writer has pushed the boundaries of satirical writing, with dollops of sexual humour (and satirical writing on a lot of other serious stuff) in his own distinctive style, it’s Richard. But, in fairness, his writing is more than that, and multifaceted, covering areas as wide as, in his own words, “autobiography, humor, satire, political critique, sexual critique, and literary criticism.”