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Book review: Revolt of the Lamebren by Manjiri Prabhu

Reviewed by Monideepa Sahu

Revolt of the Lamebren

Title: Revolt of the Lamebren
Author: Manjiri Prabhu
Publisher: Readomania
Pages:  302

 

Popular Indian mystery author Manjiri Prabhu successfully forays into the dystopian domain with this first part of a proposed series. Imaginative and fast-paced, the story takes us into a disturbing future we might end up creating for our descendants if we are not alert and aware right now. This novel has all the elements of a well-written and entertaining page turner, with enough action and dramatic tension. There is also a thoughtful core, brought out with a light and unobtrusive touch, to draw readers out of their complacency.

The idea for this tale was inspired by a true incident which the author witnessed in her home city of Pune. Some years ago, the municipal authorities were rounding up stray dogs. The author couldn’t help notice how mothers were cruelly torn apart from their puppies. Even a few dogs with collars were caught, simply because they were roaming unattended on the streets. Prabhu was struck by a small boy, dressed in adult style clothes, who smirked with sadistic glee as he watched the dogs crying in pain and suffering. Was this where humanity was headed, she wondered.

In the world of the Super Dome, the privileged Altklugs maintain their superiority over the systematically subjugated Lamebren. Altklugs don’t earn their knowledge and status. All the knowledge of the world gets effortlessly crammed into their heads through capsules which only they get from the K Bank. The Lamebren are denied this and treated as menials and expendables. They are rounded up and summarily liquidated at the whims of their superiors, just like the stray dogs are dispatched to a cruel fate in today’s world.

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Kitaab Singapore organizes the first SRMU Kitaab Literary Festival in Lucknow

Lucknow has been the hub of mushaira, Dasstaangoi and kavi sammelan for centuries, but as times change, rituals and traditions also get recreated and rejuvenated according to the prevailing zeitgeist. In a unique collaboration, the first of its kind, writers, poets, translators and scriptwriters from different parts of India and Asia assembled in Lucknow in the first weekend of April to celebrate writing from South Asia and Southeast Asia.

This first edition of the SRMU Kitaab Literary Festival was jointly organized by Kitaab International Pte. Ltd., Singapore and Shri Ramaswaroop Memorial University (SRMU), Lucknow and was held on the 7th and 8th of April, 2018 at the SRMU campus.

Building bridges between Asian writers and readers

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Lighting the lamp: Pro Chancellor Pooja Agarwal (second from right)

Festival Director Zafar Anjum, the festival’s patron A K Singh, Vice Chancellor of SRMU, Chancellor Pankaj Agarwal, Pro Chancellor Pooja Agarwal, and the faculty of SRMU led by Dr. B.M. Dixit, inaugurated the festival. ‘The aim of this festival ties up with the aim of Kitaab—to create bridges and dialogue between Asian writers and global readers and to bring literature to the grassroots,’ said Anjum in his welcome address.

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Kitaab’s director Zafar Anjum delivering his welcome address

Agarwal applauded SRMU’s collaboration with Kitaab. He said that Kitaab is an esteemed organisation that offers a promising worldwide platform to both budding and established authors, editors and publishers. Extending from the areas of literary fiction and translation to filmmaking (together with Filmwallas, founded by Zafar Anjum), Kitaab caters to all genres in English and other South Asian languages.

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The festival featured more than 20 writers in English, Hindi and Urdu from India, Singapore and Malaysia. Well-known and award-winning writers such as Sudeep Sen, Rahman Abbas, Yogesh Praveen, Dr. Surya Prasad Dixit, Isa Kamari, Dr. Rakhshanda Jalil, Dr. Malachi Edwin Vethamani and Novoneel Chakraborty top lined the festival. Theatre and film actor Shishir Sharma, who was present to talk about his journey in the world of acting, presented the film, More Chai Please, Singapore’s first Urdu short film.

The film, shot in Singapore and presented by Filmwallas, tells the story of a couple with the plot spanning Singapore and Lucknow. The film’s writer and producer Sunita Lad Bhamray and its director Zafar Anjum were present during a special screening of the film on the second day of the festival.

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Eminent poet Sudeep Sen with veteran actor Shishir Sharma

The other major highlight of the festival was the launch of Tawassul, a Malay novel by Singaporean novelist Isa Kamari, translated into Urdu by Rubina Siddiqui. It is the first work of Singaporean literature to be translated into Urdu. Award-winning Urdu novelist, Rahman Abbas who has also helped oversee the edits, hailed this avant-garde work of fiction and told the audience that the book’s Hindi edition was in the works.

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Rahman Abbas (left) with Isa Kamari (right) launching Tawassul in Urdu

 

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Long and short of writing: Kitaab at the Tata Steel Kolkata Literary Meet

Short fiction writers Suzanne Kamata, Wan Phing and Monideepa Sahu were joined by author-publisher Zafar Anjum as they spoke about their love for writing.

Both authors explained why they write about what they do. “Most of my work is meant to be parts of novels that I was working on but that I abandoned. I tend to put everything that I’m preoccupied with into my fiction. I put my Japanese mother-in-law into my story, as well as my intrigue as to why Marilyn Monroe spent her honeymoon with Joe DiMaggio in Japan,” Kamata told the audience at the Tata Steel Kolkata Literary Meet, co-organised by Victoria Memorial Hall in association with The Telegraph.

Kamata’s approach to her her work is to “write scenes, then go for a walk to put them all together, to come back to them a week or month later”. Wan Phing called her works “pretty organic”, adding: “I’m quite an intuitive writer”.

The panel had some tips to share on becoming published, with Wan Phing admitting that “getting published is the best assurance for sure, but it can be quite hard”.

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Kitaab’s The Best Asian Short Stories

By Mitali Chakravarty

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Title: The Best Asian Short Stories
Editor: Monideepa Sahu
Series Editor: Zafar Anjum
Publisher: Kitaab

The Best Asian Short Stories is one of the finest compilations of short stories I have read in a long time. The short stories cover a diaspora of Asian cultures, histories, societies in transit, shifting borders and values. They embrace an array of emotions that are universal and touch the heart of the reader. Established authors (Shashi Deshpande, Poile Sengupta, Farah Ghuznavi, Park Chan Soon, to name a few) and newcomers (N.Thierry, Wah Phing Lim, etc.) rub shoulders with stories that nudge one another, creating a wide range of reading experiences.

In this one book, I have travelled from the backstairs of Singapore’s government subsidized flats to Malaysian ports, to Phillipino slums, to Mao’s China, to Korea’s madly competitive society, to the lonely world of an Old Japanese, to a Syrian refugee’s boat, to the shifting borders of India, Pakistan and Bangladesh, to the rebellion against restrictions in the conservative Middle East, to Canada, America and England. These stories have grasped values that leave the reader absolutely spellbound.

Universal truths are stated by the characters that come to life with a few strokes of the creator’s skilled pen. When a dying man discovers, ‘I’m neither Indian nor Bangladeshi. I’m human’, the character reaches out beyond the pages of the book and brings home that politics and nationalism draw borders where none exist for the poor man. In another story, around the eve of Indian independence, a little girl is ‘bewildered’ when she fails to find her homeland, Sindh, on the map of the new country and says, ‘It’s gone’. One is startled by the pathos that these two words can create and compelled to question why Indians mutely accepted the line drawn by Cyril Radcliffe. When in Canada, a middle aged Sindhi befriends a Hindi speaking Chinese, he contends, ‘I knew that we immigrants, Sindhi, Indian or Chinese, needed to look after each other’. This is an eternal truth faced by universal globetrotters traipsing through countries. The whole world becomes their home.

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“For me literary success would be when readers carry me in their memories forever, in the form of my books, characters, stories or messages” Dr. Manjiri Prabhu

By Monideepa Sahu

Manjiri Prabhu014

Let’s get down to brass tacks. Why do you write?

I write because I imagine, dream, feel, love and reciprocate.

And because I have a story to extract from my interactions, from my emotions, whether in imagination or reality and turn it into a fictitious reality.

I want to create a world of my own and enjoy the trials and tribulations of the journey and finally when it is done, sit back and let the world see my creation.

I write because I want to create memories, because I want to learn, explore and live many lives and travel with many characters to lands known and unknown. To feel fulfilled, to remind myself how blessed I am. . . .

I write because that’s what I can do . . . …and love to do!

What advice would you give your younger writing self?

First and foremost, I would tell my younger self that she was right. That feeling that she had all along as a child that she was born to be a writer was completely justified. I would like to congratulate her on her success and persistence. As advice I would tell her to be ready for challenges, be patient and learn to take rejections as opportunities to do better. I would tell her to be more competitive in today’s world and go all out and shout out her achievements. I would tell her to go wild, travel more, love more, absorb more and create more. I would tell her to be more in touch with reality as well as fantasy, experiment more and get out of her comfort zone of writing. I would just want her to live every moment to the fullest so that writing would come inspired, faster and better.

How did publishing your first book change your process of writing?

As a child I wrote for myself, content in the art of creation and heedless to public consumption.  As I grew older, I realized that it wouldn’t matter if someone read my work. In fact it would be great if others did. That’s when I published my first novel ‘A Symphony of Hearts’ in 1994.

Over the years, I’ve written and published books, and the need to reach out to more and more readers has increased. Mostly because publishing a book takes it out of your inner, controlled circle and exhibits it to a world of readers with varied views, opinions and backgrounds. Great feedback from readers is one of the biggest rewards of writing!

The equation of writing for ‘self’has now changed to writing for ‘us’ – for my readers and I. I still create plots that excite me and characters that speak to me but they carry a vision that I want readers to grasp and understand and emulate.

So publishing my book hasn’t changed so much the process of writing, as the need for visibility and exposure to it. Now marketing and promotion also take a big chunk of my time and attention.

What was your greatest writing challenge?

Actually, each of my books has posed a challenge. The Cosmic Clues and The Astral Alibi or Stellar Signs were about a lady detective who solves cases with the help of Astrology. So a lot of research went into choosing the right plots and solving them using Astrology in a systematic scientific manner, and not as a superstitious, magic wand. Similarly, The Cavansite Conspiracy takes place in 48 hours and the protagonist travels from Pune, to Hamburg, to the Isle of Sylt and to London in a matter of so many hours. Matching the time-differences and flight timings was a huge challenge. Finally, my latest thriller The Trail of Four takes place entirely in Salzburg and is about non-Indian characters, taking Re, the investigative journalist on a trail set 75 years ago. The biggest challenge was writing the novel like an insider, and combining history with a contemporary plotline. Having said that, I have enjoyed writing each of these novels.

What’s your idea of literary success?

I write so that people will read, enjoy the product of my imagination and take away something from it. When books sell, the monetary gain enables you to be at peace to write some more. So it helps. It is practical. But I would like to go beyond this materialistic gain . . . to grasp and capture something that is more ephemeral and transient. Memories. For me literary success would be when readers carry me in their memories forever, in the form of my books, characters, stories or messages. When I freeze into their memories, I would feel that I have touched that peak of success as an author and have attained virtual immortality.

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Book Review: The Trial of Four by Manjiri Prabhu

By Monideepa Sahu

manjiriTitle: The Trial of Four

Author: Manjiri Prabhu

Publisher: Bloomsbury India

Pages: 361

Price: Rs 399

To buy

This intriguing mystery by an Indian author is set entirely in Europe, in the historic city of Salzburg, Austria. The novel brings to life the beauty and rich heritage of an old European city, which serves as a striking backdrop for an exciting intrigue. The three-century-old heart of a princely archbishop is mysteriously stolen from its place of rest. Who would do such a thing, and why? An insane criminal is out to destroy the pillars of the city’s heritage and culture. Re, a photo journalist and psychic, Isabel the beautiful local historian, police chief Stefan and hotelier Dan, who is managing the prestigious high profile Salzburg Global Seminar in the Schloss, are compelled to work together to stop impending disaster. As the threats materialise and mayhem unfolds, they must figure out which of the city’s many historic landmarks will be the next target, and prevent further chaos.

It’s a well-crafted, exciting story that will keep you turning the pages all night long. The mystery and fast-paced action are cleverly plotted. There are deliciously interwoven mysteries within mysteries, leaving readers with never a dull moment. There’s even a mystery from the historic past, coming alive in the present. Renowned theatre director Max Reinhardt once owned the majestic Schloss, a luxurious palace by the lake. Forced to flee the Nazi advance during World War II, he left behind a series of complex clues to an unsolved mystery, a hidden secret. As the hours until the next attacks tick away, our heroes must solve the clues and hand over the hidden treasure to the shadowy perpetrator of the attacks on the city’s landmarks. This is the only hope to halt further destruction.

Isabel’s American husband Justin has vanished, and is suspected to be dead. He has left cryptic messages which connect to the attacks on the city. Is Isabel really an innocent, grieving wife, or does she have a hand in Justin’s murder? Is she truly working to solve the clues and save the city, or is she in league with the enemy?

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I write what I can, when I can: Monideepa Sahu

by R K Biswas

Monideepa Sahu Monideepa Sahu is a former bank manager. She has authored Going Home in the Rain, and Other Stories (Kitaab, Singapore), Riddle of the Seventh Stone (Zubaan) and Rabindranath Tagore: The Renaissance Man (Penguin/Puffin). Her short fiction has been accepted into collections from Central Michigan University, Northeastern Illinois University, Marshall Cavendish (Singapore), Puffin, Scholastic India, and elsewhere. She has been a Views columnist with Bangalore Mirror (Times of India Group), and regularly writes for Deccan Herald and other mainstream publications. She is Fiction Editor with Kitaab.

Spending her growing years in New Delhi and Washington D. C., and a couple of decades in Bangalore, she is now living out of suitcases and packing boxes. During her nomadic phases, she has also called Hyderabad, Mumbai, Bhubaneswar and charming small towns in Karnataka and Andhra Pradesh her home. She blogs at: http://monideepa.blogspot.in/.

RKB: There’s a quote in your blog which reads “Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep. Musings from someone who sees stories everywhere.” Can you share some more musings on this?

MS: I see stories everywhere; in overheard conversations, in the gestures and body language of passing strangers, or a post-it note stuck on someone’s fridge door. I often play with various themes, techniques and styles. Fantasy, ghostly supernatural stories, “literary” stories, magic realism, have all touched my writings at different times. While I have a soft corner for literary fiction, it’s challenging to step out of the comfort zone of a favourite genre. It’s also more fun to come up with the unexpected.

Creative artists need to play freely with ideas and modes of expression, and there will be mistakes and false steps. The end product may be quite different from the original plan. The perceptive artist will realise which of these deviations are not working. The artist will also realise that some tangents from the original plan are leading to interesting, if unexpected paths. Those are the mistakes to keep, and work upon. The short story “Dhatura” is one such “mistake”. I imagined Surpanakha as a wild character with her own code of ethics. When I submitted a draft to an international online workshop, a fellow writer saw a strong combination of horror and erotica, which I hadn’t initially planned. This “mistake” was definitely a keeper. Continue reading


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Review of Going Home in the Rain and other stories by Monideepa Sahu

By RK Biswas

going-home-in-the-rain-and-other-stories-400x400-imaehzgqdbfgsvw7Going Home in the Rain and Other Stories
by Monideepa Sahu
Kitaab International Pte Ltd., Singapore

In a world where writers seem to increasingly expend more energy screaming for attention, Monideepa Sahu comes across as a breath of fresh air. This also means that readers can miss her altogether, and in the process deprive themselves of fiction that is both sensitive and well rounded, satisfying as well as just a bit out of reach, providing more food for thought.

Going Home in the Rain and Other Stories is a book that can easily fit into a ladies bag or the side pocket of a backpack. You could read it on a train, at an airport during that pause between journey and destination, and find yourself carrying the stories along after the book is spent. The thing about this collection is that the stories themselves are about journeys.

Just as a stalk holds together its bunch of grapes, and the stem of a pinnate leaf its double row of leaflets, the idea of journeys runs like a spine through this book of fourteen stories. And the journeys are not necessarily from one physical place to another. They are also from one inner point, a state of mind, into another. Continue reading


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Bhubaneswar book launch report

Author Monideepa Sahu (centre)

Author Monideepa Sahu (centre)

Going Home in the Rain and Other Stories by Monideepa Sahu, the latest title from Kitaab, was launched in the temple city of Bhubaneswar , India on May 22nd.

Cyclone Roanu, which lashed the coasts of India, Sri Lanka and Bangladesh, gave the city’s book lovers some respite at the appointed hour. The courtyard garden of Walking Book Fairs bookstore filled with an enthusiastic crowd as the evening drew on. A little reading and lively conversations over tea kept everyone engaged.

Stories, and the inspiration behind stories, were shared by the author. And when it was time to leave, signing books kept the author busy. Everyone left with armloads of books, and the anticipation of hours of happy reading to come.

Copies of this book are available on Flipkart.com.

Book launch


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Review: Idris by Anita Nair

In her latest novel ‘Idris’, Anita Nair takes us on an unforgettable journey through 17th century South India, laden with a magical narrative and beautiful descriptions, writes Monideepa Sahu: The Deccan Herald

Idris, a trader of Somali origin, embarks on an epic journey “seeking the measure of earth and man.” His tall, muscular body, dark-as-midnight skin and a jewelled eye of glittering gold set him physically apart from the rest of the world. His powerful personality is equally striking. This “eternal traveller” seems to need nothing, not even sleep.  Continue reading