15 Books to Look Forward to in 2020/2021 from Kitaab
Kitaab celebrates its 15th anniversary in 2020. What started as a literary blog in 2005 has now grown to a credible indie publishing house, connecting Asian writers with global readers.
To mark this milestone in the journey of Kitaab’s life, we are announcing 15 titles that we are very excited about–they will be launched this year and next year. A few of them have just been released, and some will be released at the virtual Singapore Writers’ Festival this year.
Dreams in Moonless Night by Hussain Ul Haque (Eng. translation by Syed Sarwar Hussain)
This much-appreciated multilayerednovel spans the traumatic years of the aftermath of Indian Independence to the current apocalyptical state of affairs. Ittells the story of Ismael Merchant who even after losing his whole family in a communal carnage represents the intrinsic Indian passion for love and brotherhood.
This title will be virtually launched at the Singapore Writers Festival 2020.
This poem titled ‘Ganga’ is a poet’s tribute to the Ganges, the civilizational font of India with divine attributes, and an earnest cry to keep the sacred river clean and free of pollution. The poet’s name is unknown and it has been recited by Singapore-based actor and wild life activist Uma Rai. The visuals for this poem have been taken from various sources and we express our gratitude to them.
“Bol ke lab azaad hai tere” is a famous poem by legendary Urdu poet, Faiz Ahmed Faiz. Eleven artists from Singapore recited this poem to inspire others and pay homage to Faiz and his spirit of speaking up, and speaking truth to power. The artists shot their own clips at their homes using mobile devices, respecting the social distancing regulations during the COVID-19 pandemic.
Critically acclaimed, award winning author Rahman Abbas needs no introduction. A Mumbai based fiction writer whose book Rohzin won the prestigious Sahitya Akademi Award in 2018, Abbas is known to captivate the readers with unique storylines and unforgettable characters. Since his debut in 2004 with Nakhalistan ki Talaash ( The Search of an Oasis), he has penned one masterpiece after another. From winning awards to having his books translated into various foreign languages, he has done it all. Rohzin was not only the first Urdu novel to be discussed in Germany, it was also adopted as a part of Urdu curriculum in INALCO. Sometime last year, he won a research grant for his next novel and travelled to Europe.
Meanwhile the corona virus has, perhaps, taught a lesson that mankind all over the world has the same vulnerabilities. Thoughts and ideas need to be nurtured to unite mankind across all borders. Some of us writers have joined together to start a journal which hopes to reach out to mankind across all borders. The journal is in its infancy and needs much nurturing like a baby. It needs all the support possible now.
Kitaab has moved into its mature years. I leave Kitaab in the able hands of a new Editor who will soon be announced by the Founder and Editor- in – Chief, Zafar Anjum.
Before I sign off, I must thank Kitaab for the wonderful new friends it has found me — all the wonderful writers and readers. I must thank Desmond Kon Zhicheng–Mingdé for his unwavering support and friendship. Farah Ghuznavi and Rituparna Mahapatra for guiding me through the rites of passages of Kitaab.org and Zafar Anjum for his trust, continued friendship and the opportunity. Kitaab helped me heal in a lot of ways. I must also thank the editors before me, Sucharita Dutta Asane, Monideepa Sahu and more, who made Kitaab a vibrant platform long before I joined the Kitaab community. Without all these people and each one of you, I could not have led the online journal of Kitaab International for a whole year. Read more
The world of Singlit glowed from March 7th 2020 to March 15 th 2020 with different events to promote Singaporean literature. Adequate precautions were taken to keep the participants and visitors safe. Kitaab participated in the event aswell.
Kitaab books at the Singlit Station
Of the sixty events planned, thirty five had to be cancelled for the COVID-19 situation. They had workshops, and book sales and most interesting of all what Singlitis famous for — noir fiction. Here is a description of how the spoken word poet Deborah Emmanuel conducted the event. Read more
It was twenty-five years ago that Usha K.R. stepped into the literary world with ‘Sepia Tones’ that won the 1995 Katha Short Story Award. Her first novel Sojourn was published in 1998. Her subsequent novels The Chosen (2003), A Girl and a River (2007) and Monkey-man (2010) have been critically acclaimed. A Girl and a River was awarded the Vodafone Crossword Prize in 2007. Amongst her other short stories are ‘Elixir’, that appeared in Boo, An Anthology of Ghost Stories and ‘The Boy to Chase the Crows Away’ that was shortlisted in the Best Asian Short Stories 2017 by Kitaab.
Usha’s fifth novel Boys from Good Families traces the story of Ashwath. Living with his parents and sister Savitri in ‘Neel Kamal’, their family home, he grows up within a conservative household in the city of Bangalore during the 1970’s and 80’s. Ashwath finds his parents rigid in their beliefs, expectations from them and his extended family dreary and claustrophobic. A romantic at heart and somewhat undecided about his future, he enjoys exploring the city and its surroundings, watching films and starts to fall in love with a remarkably capable and charming Thippy.
This phase abruptly comes to an end when his parents come to know of his affection for Thippy who lives with her family in the outhouse of ‘Neel Kamal’ and is considered a social unequal. They throw out Thippy and family. Read more
Maharathi Debdutt saw the hennaed foot, dainty, as the passenger stepped off the palanquin. Then the wheel went over it. His deed was done. He did not hear the shrieks that rent the air. From the beautiful princess who was to be wed, she became the hobbling one, the unwanted one.
Ever since Maharathi Debdutt had set eyes on the little one, Rajkumari Heeramoti, she had fascinated him. Her absolute milk white skin, the fragility of her limbs, her big black eyes and tumbling black curls, were a delight. He would watch her at play from a distance. He was a horse rider and a charioteer, and he was not allowed within the palace. Read more
Chhabila died close to day break. She had been choked to death. Her one year old child Etim, following his usual morning practice, is trying quite hard to suck some milk out of one of her breasts.
Patuki has no inkling about who killed Chhabi. Although it is not unknown to him that this is not a natural death, he is yet to discover that the man he spotted approaching Chhabi’s house early in the morning was the killer. But the very next night Patuki would come to know who killed Chhabila. The one who would be his source of information is the most reliable of all. The rich and the poor, thieves and thugs, the good and the bad, all have respect for him. It is only Patuki who he speaks with. But the day is still young and he has to wait long for nightfall. How long will he have to cope with this hubble-bubble in his stomach, with this uncanny sensation running through his veins?
The man who visited Chhabila at dawn had also been seen coming out of her house late in the night. Patuki spends the whole of the night at the southern bank of the pond behind dense bushes, fishing pole in hand. Long aerial roots of a great banyan tree surround this place. These bushes entice him. The night has its own allure. Only Allah knows why people waste these hours sleeping. Patuki does not sleep; he cannot. The long fishing line of Patuki does not have a hook hence the float also is redundant. He has seen people climbing up his fishing thread from the water— many of them. They climb throughout the night and bless Patuki. Then they climb up those roots of the banyan tree. Now they turn into fireflies and fly around the Banyan pir. Read more