It had happened again. He could hear it in the flatness of her voice. He felt that familiar rage taking shape inside his head, but forced himself to concentrate on her voice. “Yes,” he said, “I have noted down the list. Shall I repeat it, Didimoni?”
“No, no need, just bring it over when you have the time,” she replied, her voice flat and exhausted.
If he could, he would have rushed over with the groceries right away. But that would not help. Making a tremendous effort, he kept his mind on his work, on Barun da’s endless chit chat and instructions. He even managed to smile at one or two of his jokes. As they shut down the shop, Barun da helped him to load the three or four grocery bags, for the home deliveries Rongon would make before he went home. And, as every day, Barun da called after him—“Go home straight after the deliveries, Rongon—those boys are not good for you! And come on time tomorrow.”
As Rongon cycled away, he thanked the Universe for bringing him to Barun da’s doorstep, and as he did unfailingly, as he thanked the Universe, he remembered to register his complaint against it. But there was no time— here was the Banerjee house, and he got off his cycle to deliver the bag of groceries. As he completed the next three deliveries, his heart began to quicken. He slowed down as always, his emotions slowly spooling away from his control, slowing his cycle, tightening his voice, clamping down on his soul.
“Chikki called in the morning,” Amma begins, seated at the dining table.
Dinner conversations at home have always been severely orchestrated, progressing into a chaotic crescendo. It always begins with the most neutral subject, me. And usually Achan sits silent, regarding his food with empirical interest. He is on standby for his cue.
“She’s had fever for two days now,” Amma continues.
“Has she been taking medicines? Ask her not to self- medicate.”
“Why would she self-medicate?”
“Alla, isn’t that what everyone in your family does?” Achan asks.
“I’ll be grateful if Chikki doesn’t inherit your arrogance.”
“You should be grateful if she turns out like me,” Achan responds grimly. “God forbid she becomes like you.”
“There’s no poison in this,” Grandma said.
The teacup rattled, sending spurts of black liquid onto the saucer. Grandpa grunted. He ignored the wafts of steam that curled out of the cup like fine strings floating in the air. He kept his eyes on the typewriter as his fingers drummed on the keys, weaving crisp black letters on paper. Grandma shook her head, knowing that there was no way Grandpa was going to inch away from the machine.
For as long as I could remember, it was the same routine every morning at ten. Grandpa, or Tok as my siblings and I fondly called him, would crouch on a stool in front of his butter-yellow Remington typewriter. He would take a Good Morning towel and rub the machine until it gleamed like Aunty Noh’s marble table. Satisfied, he would load a sheet of paper and turn the carriage knob. After adjusting the paper arms, he would set his fingers free to do the jig on the keys, competing with the sound of Grandma’s ladle on the wok as she busied herself in the kitchen.
Starting this week, Kitaab will bring to you excerpts from Kitaab’s The Best Asian Short Stories 2018 and Best Speculative Fiction anthologies.
Click on the links given at the end of the excerpt and help us sustain our efforts to bring literature from across Asia to you. Read on!
If you are to fall asleep while being physically transported, you will start experiencing something out of this world. To be specific, if you happen to be moving at an extraordinary pace while in deep sleep, your consciousness will not be able to catch up, and you can be separated from your physical being. You will, then, be in two different places at the same time.
When that happens, you will cease to breathe. Your brain will start to wander, and conjure up a third place to make sense of it all. This is when you wake up at The Place.
The Place is a manifestation of consciousness; being ever-evolving, it can have unlimited variations. Its eventual form is perceived differently, based on each individual’s experiences and hopes for the future. Whatever the case, if you get too attached or fail to leave The Place quickly enough, you get stuck there.
Hailey was staring at an oil painting. She neither understood the intense mess of the strokes, nor the utterly mismatched colours used. There was a mishmash of painting techniques and a total disregard of the colour wheel. All the disorder made her nauseous, almost seasick. Blinking hard, Hailey stepped back from the chaos and took in a deep breath.
Singapore-based publisher Kitaab launched 4 titles at this year’s Singapore Writers Festival. They were: The Best Asian Short […]
Kitaab is seeking high quality short stories for The Best Asian Short Stories 2018 anthology to be published […]
The Best Asian Short Stories (TBASS) series will showcase arresting contemporary short fiction from Asia. The inaugural edition of The Best Asian Short Stories (TBASS) is due for publishing in 2017.
The Best Asian inaugural edition will choose the best twenty or so short stories from the submissions.
The Best Asian aims to showcase stories offering fresh insights into the experience of being Asian. We seek fiction that transcends borders and social and political divisions, while drawing us into the lives of people and the places where they come from. Send us stories that ask questions and probe ambiguities; stories of uneasy choices, introspection, thought and insights, of moments of epiphany or catharsis. Enthral us with tales of the magical, the profound, the absurd and the chilling. Send us stories that tug at the heartstrings, or leave us raw and shaken. We want writing that will move us, and continue to resonate after the last page is read. We value genuine, sincere writing.
The Best Asian is looking for symphonies of style and heartfelt emotions.