Category Archives: Singapore

Country of Focus: 9TH AFCC celebrates Singapore as country of focus

AFCC 2018 | 6-8 Sep | afcc.com.sg

9TH AFCC Celebrates Singapore as country of focus: Spotlights literary heritage through 3-day children’s festival; two award shortlists announced

SINGAPORE, 20 August 2018 – In conjunction with the 50th anniversary of the Singapore Book Council, the Asian Festival of Children’s Content (AFCC) celebrates Singapore as the Country of Focus with a three-day programme that showcases over 100 local writers, illustrators and publishers; an exhibition on illustration pioneer Kwan Shan Mei; and a Singapore Night gala dinner and awards ceremony. The 9th AFCC will run from 6 to 8 September at the National Library, marking the theme Imagine-Asia.

Over three days, participants can attend over 130 ticketed and free programmes, featuring 150 Singapore and international speakers.

AFCC has also announced the shortlists for two awards this year, the Hedwig Anuar Children’s Book Award (HABA) and Scholastic Asian Book Award (SABA), which come with a top prize money of SGD10,000 each. Six books have been shortlisted for HABA, which include titles by Xie Shi Min, Ben Lai and Low Ying Ping. Recognising the best Singapore children’s book, the award received 71 submissions this year. SABA has shortlisted six works by writers from Singapore, Hong Kong, India and The Philippines. A joint initiative between SBC and Scholastic Asia, it is given to the best unpublished manuscript by a writer of Asian descent. The winners will be announced at the Singapore Night-cum-50th Anniversary dinner and awards ceremony on 8 September. Please refer to Annex V and VI for the full shortlists and panels of judges.

AFCC casts the spotlight on Singapore’s literary heritage in children’s books as the Country of Focus, whilst highlighting new means of content creation and digital platforms for storytelling. Boasting a line-up of speakers that range from established writers and illustrators – such as Adeline Foo, Colin Goh and Yen Yen Woo, David Liew, David Seow, Emily Lim, Patrick Yee, Rilla Melati and Rosemarie Somaiah – to new, emerging ones (Eunice Olsen, Eva Wong Nava, Quek Hong Shin) and Gen-Z writers like Gabby Tye and Ashley Koh, the programmes will tackle a wide range of topics. The topics include creating iconic kid lit characters; advocating for inclusivity; getting children to read Sing Lit; and learning our history through children’s books.

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News: Kitaab launches ‘Mehfil’ in Singapore

Mehfil

Mehfil (also spelled mahfil) means congregation or gathering in Urdu/Hindi. It used to denote an evening of courtly entertainment poetry or concert of music and dance performed for a small audience in an intimate setting.

Transported to the Singapore context, Mehfil is a one of its kind event in the city state where artists from various fields are given a platform to share their talent, without fear of being judged.

All are welcome, either to participate in the event to showcase their talent (be it in singing, dancing, poetry, music or reading, etc.) or as member of the audience to enjoy the evening.

Those who are interested to perform on stage must write in with their ideas/proposal to kitaab.sg@gmail.com at least a week before the event.

Mehfil has been planned as a monthly or bi-monthly event.

Each Mehfil will have limited slots that will be provided on a first-come-first-register basis. Age and language no bar. Content must be within the limits of decency and within the allowed norms and laws of Singapore. The final decision to select a performer for the event rests with the organizers.

Organised by: Kitaab International Pte Ltd and Noor Productions, Singapore

 

Countries in focus: Singapore: Book review

Book review of The Magic Circle by Charmaine Chan

Reviewed by Mitali Chakravarty

The Magic Circle

Title: The Magic Circle
Author: Charmaine Chan
Total number of pages: 302
ISBN 978-981-11-3996-3
Publisher: Ethos Books, 2017
Price: S$18.60

The Magic Circle is a memoir by Charmaine Chan written for her sister who died of cancer. This book was justifiably short-listed for ‘The Singapore Literature Prize, 2018’. According to Jennifer Chen, the editor of The Peak, it is ‘a breathtaking rumination’.

The book is an attempt to recreate the sister she knew for her niece, Yazmin, and to bring the youngster closer to her maternal heritage and culture. Elaine, the sister who dies of cancer, spent a major part of her life in New Zealand and eventually married a New Zealander; her daughter, born and bred in New Zealand, was merely six when the mother passed away. On the brink of death, Elaine made an impassioned plea to her globetrotting sister, Charmaine Chan, writer, journalist, editor, poet and former lawyer from Singapore. ‘Don’t let Yazmin forget her Asian side, make sure she knows all the Asian dishes I love,’ she whispered. ‘Don’t let her forget me…’

Charmain Chan kept her promise and spent a decade creating a perfect memoir for her niece. She writes, ‘For her (Yazmin), I have sealed them(memories of Elaine and her heritage)into black and white, preserved them in print.’

The book is poignant when it deals with sorrow and the impending death that looms over her sister. A skilful weaver of words, Charmaine Chan creates a tapestry of images and feelings that bring to  the fore a lively, vivacious woman cut off from her propensity to enjoy life by the throes of a lingering death, a loving family, grief, a childhood full of sunshine and youthful nostalgia about a sister who formed part of a ‘magic circle’. The three sisters born and brought up in Singapore eventually moved to different corners of the world and had what Chan called ‘a magic circle’, an invisible bond, which was sundered by the untimely death of the middle sister Elaine.

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In new textbook, the story of Singapore begins 500 years earlier

(From the New York Times. Link to the complete article given below)

 

Singapore has rewritten the history taught in secondary school to expand the story of the island state’s birth.

While earlier generations learned a narrative that essentially started in 1819 with the British colonial administrator, Sir Stamford Raffles, stumbling upon a sleepy Malay fishing village, 13-year-olds now learn of a golden age that started 500 years earlier.

The new story, introduced in January, brings into focus a 300-year period, from 1300 to 1600, when Singapore was a thriving multinational trading hub, with an estimated population of 10,000.

An education ministry official who declined to be named, in line with government policy, called the change a “shift” rather than a rewrite, saying it allowed students to “explore Singapore’s origin as a port of call and her connections to the region and the world.”

Behind the revision is the work of John N. Miksic, an American archaeology professor at the National University of Singapore, or N.U.S., who advised the government on the new school text, “Singapore: The Making of a Nation-State, 1300-1975.”

Professor Miksic has led major archaeological excavations across Southeast Asia, including a dozen in Singapore over the past 30 years that have yielded eight tons of artifacts — evidence of a precolonial history that was largely neglected until now.

Read more at the New York Times link here

News: Launch of Miniya Chatterji’s Indian Instincts

Indian Instincts

Indian Instincts

Indian Instincts by Miniya Chatterji was launched at the Google headquarters, Singapore on June 29, 2018. The launch included a panel discussion with authors Eunice Olsen, Miniya Chatterji and Zafar Anjum, journalist, filmmaker and chief editor, Kitaab, Singapore. Indian Instincts is a collection of 15 essays that offer an argument for what the book describes as ‘greater equality and opportunity in contemporary India’.  The essays cover issues of paramount importance to India and its residents, from what could be the possible beginning of human advent in India to love, sex, culture, money, values, current ideas around nationalism, democracy – in short, it seeks to address all things Indian in the current scenario.

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 Book launch of Indian Instincts with Eunice Olsen, Miniya Chatterji and Zafar Anjum

The book is readable and accessible to everyone while simultaneously retaining its intellectual rigour and philosophical depth. Here is contemporary India and its myriad hues from a writer who explores the institutions we have created and their stranglehold on our lives, or what we have allowed them to become.

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Panel discussion – Zafar Anjum, Miniya Chatteriji, Eunice Olsen

The panel discussion covered many burning topics including social impact of economic development, nationalism, gender equality and violence against women, education and its role in developing rational thinking among the masses. Olsen emphasised that there is need of more awareness on gender equality in Asia. Chatterji advocated women in India should not be seen or judged through parameters of males. She said that an education system that encourages critical thinking, rationality and debate is the key to many of the problems plaguing India.

Writing Matters: In conversation with Jayanthi Sankar

By Mitali Chakravarty

Jayanthi Shankar

A small, vibrant woman full of energy comes to my mind when I think of Jayanthi Sankar. Born and brought up in India, she has been writing for the past twenty three years. She has been published in several magazines and ezines including the Indian Ruminations, Museindia, The Wagon and InOpinion. Loss and Laws and Horizon Afar are two collections of her Tamil short stories that have been translated into English. ​Her works of short fiction have been included in various anthologies including The Other. She has been invited to participate in the panels of literary festivals such as Singapore Writers Festival, Seemanchal International Literary festival, Asean-India Pravasi Bharatiya Divas Writers Festival.

Jayanthi was effusive and generous with her responses to the questions we put before her.

 

Mitali: Tell us a little about when, why and how you started to write.

Jayanthi: Looking back, I feel it is all like a dream – nothing was planned. It just happened. I was not a serious reader till my mid-twenties. In the1990s, when we migrated to Singapore, what attracted me the most were the libraries with their generous shelves of books – I’d found my world, and undoubtedly, I owe it to the National Library Board that paved the way for me to evolve as a reader and subsequently a writer.

I read passionately for four to five years, only for the joy of it, both in English and Tamil. A natural critic was born in me. I was not even aware of it for long. At one point of time that voice started getting too fuzzy about style and narration of some of the fiction that I often chose randomly and soon I asked myself, ‘Isn’t it always easier said than done?’

That’s how in 1995 I tried to craft a short story in Tamil – ‘Turning point’ – which I never thought would lead me to discover the creative ability in me. A very simple, amateurish narration based on an early morning dream of an incident that I’d had, ended up being published that weekend in the only local Tamil daily and the editor called to appreciate and encourage me to continue.

I recollect now, I had to try a few more stories in the next several months before I could actually believe that I really could pursue writing. I have always loved fiction, both to read and to write. For the next couple of years I experimented aimlessly in both the languages.

Suddenly, one fine day I thought, should I focus in one language first, English or Tamil?

I had known of a few senior writers like Ashokamitran, Indra Parthasarathy who wrote first in English and took up Tamil soon to last longer. But nonetheless, I decided to focus first on Tamil.

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Event: Half-day workshop for aspiring writers

AUTHORPRENEURSHIP: A Half Day Workshop for Aspiring Writers who Want to be Successful

WHEN: Saturday; 30 June|  9pm to 12pm;

WHERE: Writers’ Lounge, Book Council Office, Goodman Arts Centre

Workshop Facilitator: 

R. Ramachandran; Director| Singapore Book Council;

This workshop will be useful to emerging writers and others who wish to write for an additional income. To  those with manuscripts; the workshop will show the way forward .The workshop is focused on writing with a view for publication and sale of the written works either fiction; nonfiction or just freelance writing. At the end of the workshop the participants would have an opportunity to network  with other writers in the workshop.

The workshop  is free. Registration is required. Please email <info@bookcouncil.sg

 

Book review: A Different Sky by Meira Chand

Reviewed by Mitali Chakravarty

A Different Sky

Title: A Different Sky
Author: Meira Chand
Publisher: Vintage Books (2011)
Pages: 488
Buy

A Different Sky by Meira Chand spans an era of transition in Singapore from 1927 to 1956. The narrative races through a period of rebellion against the colonials, the Japanese occupation, and the move towards an indigenous government. Geographically, it travels through India, Malaysia, England, Australia and Singapore.

The Daily Mail listed it as an ‘extraordinary book’ while the Historic Novel Review says, ‘Chand weaves a gripping adventure, magnificent romance and well informed history into the sort of book it’s difficult to put down.’

Meira Chand, a well-established novelist of Swiss-Indian parentage, has created a grand, multi-layered story. The novel weaves the intricate lives of characters from multiple races and backgrounds into historic events tracing the turmoil faced by Singapore to become ‘a place of dreams, holding the souls of men to ransom’ from being ‘a pinprick on the great body of Asia’. It opens with the communist uprising of Kreta Ayer in 1927, under a sky of unrest in British Singapore and walks through three decades of transition. The three main characters, a Chinese, a Eurasian and an Indian, are introduced in a bus caught in the riot. This is an ingenious start to a story well spun. The Chinese protagonist, Mei Lan, educates herself to rebel against negative traditions. She falls in love with Howard, her Eurasian neighbour. They are torn asunder during the Japanese occupation, suffer tortures and live through horrors. Howard leaves to study in Australia funded by Raj, the rich uneducated Indian businessman whose past was that of a penniless immigrant. When he returns after graduating, he meets a new Mei Lan, almost a stranger after being victimized and tortured during the Japanese occupation despite her law degree from England. Both of them reject multiple relationships overseas.

The story winds through the trauma faced by the characters as they move to create a new Singapore, under a bright sun ‘thrusting out fingers of brilliance through the grey clouds’ with ‘a bank of red balloons drifting under the endless arc of the sky’ holding a white banner with ‘Merdeka’ (a Malay word meaning rich, prosperous and powerful) on it. Will Howard and Mei Lan unite under this different sky with the outgoing first chief minister of Singapore, David Marshall, faced by chaos and the future Prime Minister Lee Kuan Yew in full control? As Meira Chand intertwines the lives of real historic figures with that of her creations, she adds to the glamour, suspense and appeal of her novel.

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Events: Workshops for kids and parents: Augmented Reality (AR) and Virtual Reality Storytelling!

WORKSHOP 1
Workshop - June 22 AR Eventbrite
 
 
Children can experience Augmented Reality (AR) through colouring and designing their first AR programme. 
 
When: 22 June 2018, 10am-12pm
Where: 

SBC Training Room – 90 Goodman Road Blk E #03-32, Goodman Arts Centre, Singapore 439053
*Please note that there is no lift access to the Book Council Training Room (at 3rd level).
Cost: $60
 

Trainer:

Alison Foo – Alison has been an EduTech trainer for the past 2 years and taught over 40 classes with students ranging from pre-schoolers to the elderly. 
 
Benson Teo – Benson possesses both industry and training experiences in 360 productions, AR and VR. He has been an EduTech trainer in immersive media

technologies for the past 2 years.
 
What Will You Learn: 
Participants will learn how to create an AR programme based on a selected narrated story theme.
 
Who Should Attend:
Suitable for 7-12 year olds. Parents may attend as well. 
 
SIGN UP at  ALAP.BOOKCOUNCIL.SG or HERE:   https://goo.gl/Qd5TQv
WORKSHOP 2
Workshop - June 22 VR Eventbrite
 
Turn your own written story into a Virtual Reality experience! Create a simple 3-scene Virtual Reality environment from your own story!
 
When: 22 June 2018, 1pm-3pm
Where: 

SBC Training Room – 90 Goodman Road Blk E #03-32, Goodman Arts Centre, Singapore 439053
*Please note that there is no lift access to the Book Council Training Room (at 3rd level).
Cost: $60
 

Trainer:

Alison Foo – Alison has been an EduTech trainer for the past 2 years and taught over 40 classes with students ranging from pre-schoolers to the elderly. 
 
Benson Teo – Benson possesses both industry and training experiences in 360 productions, AR and VR. He has been an EduTech trainer in immersive media

technologies for the past 2 years.
 
What Will You Learn: 
As we explore the different storybooks, dive into Virtual Reality and watch parts of the story come alive around you.
 
Who Should Attend:
Suitable for 7-12 year olds. Parents may attend as well. 
 
SIGN UP at  ALAP.BOOKCOUNCIL.SG or HERE:  https://goo.gl/A6r4uX

 

 

About Singapore Book Council:

Singapore Book Council

Singapore Book Council (SBC) is a charity founded in 1968. Its vision is to Build Our Imagine-nation by developing creativity, imagination and original thought through writing, reading, illustrating and storytelling. Its mission is to fulfil this vision by developing the literary art sector through books and literary art events, workshops, and awards. Its focus is Asian content, content creation, translation, rights, markets and training. SBC is currently chaired by Ms. Claire Chiang, co-founder of Banyan Tree Hotels & Resorts.

SBC supports the community at all levels, from language programmes and books for children, to aspiring individuals and professionals like writers, illustrators, storytellers and relevant industry partners by providing a platform to learn, network and collaborate. It also organises events to foster professional and community engagement like the annual Asian Festival of Children’s Content and All In! Young Writers Festival, and grants prestigious awards, like the Singapore Literature Prize, to recognise and encourage excellence. Finally, SBC offers publishing-related and literary arts-focused courses and workshops to enhance skills and encourage lifelong learning through its academy. SBC aims to become a hub for Asian content for the world, encouraging stories to be created and told across platforms. Through telling our own stories by writing or illustrations, it promotes understanding, impacts legacy and connects Asia with the world. 

Because it all starts with a story.

Essay: Growing with history in Isa Kamari’s novels

By Mitali Chakravarty

Isa kamari novels - Kampong Scene by Lim Cheng Hoe

Kampong — scene by Lim Cheng Hoe

 

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.

Burnt Norton, TS Eliot

 
When I walk down the Singapura River and see the statue of Sir Stamford Raffles look down at me from the pedestal near Victoria theatre, I feel I know the man well, not because I have ever met him but because Isa Kamari, the celebrated ASEAN writer, brought him to life in his novel, 1819.

Downtown and around Singapore, one can get glimpses of the history of the island in architecture, sculpture and art. These can be directly related to the stories written by some of the local writers. The multi-faceted Isa Kamari is one such writer who holds me spellbound, taking me on a journey of exploration to the past to help infer the present. Isa – winner of the S.E.A. Write Award (2006), the Cultural Medallion Award, the highest award conferred on writers and artists in Singapore (2007), and the Anugerah Tun Seri Lanang, the highest Malay literary award (2009) – has written all his novels in Malay. Most of them have been translated into English. The translations continue to have the fluidity of his own style, of which we get a glimpse in his first English Novella, Tweet, his maiden venture into writing in English.

His writing is intense and makes one empathise with the past and present as he deftly shuttles between different periods of history, weaving it into the current fabric of the island. You live and emote with the characters – feel sorry for the Malays, the Bugis (seafaring folk from Sulawesi) and animosity towards the British rulers who manipulated the islanders by indulging them in opium and fanning their differences, following the policy of divide and rule, the favourite policy of the Raj to maintain power across its colonies, the effects of which are still evident in countries like India and Pakistan.

Isa takes us on a historic adventure through time in his novel 1819 to a past where Singapore was won by the British in a tussle for power with the Dutch, who had earlier ruled it ‘as a part of Riau’. In those days, it was often referred to as Pulau Ujong or Temasek. The island was nominally ruled by the Sultan of Johor, who was controlled by the Dutch in Indonesia, and the Bugis. At that time the borders of countries were fluid and adapted to the ruler’s needs. Johor and Singapore were part of the kingdom of Riau. It was the British who finally made sure with a treaty in 1824 that the Dutch and the locals would have no say in the administration or trade of Singapore. The British would hold the sole power.

Taking advantage of the local ruling classes’ love for a life of ease, the new rulers introduced opium and encouraged them to indulge. In a daze of opium, the Bugis and the Malay handed over the island to Raffles. Raffles, the ‘official founder’ of Singapore, signed the papers to take over the island from the local Malays. The British created different colonies for different factions of Muslims, like the Bugis, Malays and the Arabs. As the historic character of the first resident of Singapore, Farquhar, gives out in the novel, the British would ‘split and rule’ the kingdom so that they could gain ascendancy over the country and the region.

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