Book Review by Gargi Vachaknavi

Dara Shukoh

 

Title: Dara Shukoh, The Man Who Would Be King

Author: Avik Chanda

Publisher: Harper Collins, 2019

 Dara Shukoh (1615-1659), the beloved and righteous son of Shah Jahan — is he indeed shown to be what Arun Shourie said of the book: “The Book we need — about the man we need” on the front cover?

Despite wading through more than three hundred pages of the book, Arun Shourie’s statement seemed unfounded! Author Avik Chanda shows otherwise in this historic narrative. And why would he do that? Because, he says he is tired of stereotypes, he has tried to unveil ‘the truth’.

IMG_0805 2.jpgAvik Chanda dons multiple hats. He is a consultant who has two collections of poetry in Bengali, a novel, Anchor (Harper Collins, 2015) and his acclaimed business book, From Command To Empathy: Using EQ in the Age of Disruption (Harper Collins, 2017), co-authored with Suman Ghose and featured in 2018 in Amazon India’s Best Reads, under ‘Business, Strategy and Management’. This year Dara Shukoh, The Man Who would Be King has also made it to second position in the Asian Age’s non-fiction bestseller list.

This book is different. The narrative weaves minutely through history in detail. Except at the end, the sources are not discussed. Though it is evident that a lot of research has gone into the narrative, only the author’s voice is heard. However, Chanda does bring in voices of writers from the Mughal era. For instance, Chanda gives two renditions of Dara Shukoh’s final words.

TBASS

Monik despised procrastination, that sneaky little pilferer of time and opportunity. Besides, she liked a project. Her love of projects had caused her to walk down the aisle on two occasions because she couldn’t resist planning a new phase of life after the sad demise of a husband. It was time, however, to look to the needs of others.

Natalia needed a man.

At the novena the following week, there was the usual shuffling monotony about everything. Then a voice from the recesses of the church: “For all those who are lonely. We petition Thee, O Heavenly Father, to look upon them with pity. Saint Anthony Wonder Worker, pray for us.”

Could it really be? After all these years? It did sound a bit like him.

It was. Mathias Faleiro had returned.

After the service, he came up to her. “My dear Monik…”

“Mathias, how absolutely wonderful! When did you get back? Is it for good?”

“A week ago. Ah yes, we’ve returned at last to glad Goa.”

Glad? A man who smelt of camphor and old coats probably turned every celebration into a happy requiem. Still, here was a man. But just a coconut-plucking moment. “We’ve returned? You mean you got marri…?”

“Oh, no, no.” Mathias looked at his toes. “I mean Barkis, my trusty canine friend, and I. I retired from teaching five years ago. Then we lost Galileo, and it was a little too painful to stay on. Besides, the ancestral place here was falling to pieces.”

“Galil…?”

“My parrot.”

“Oh.”

“I promise to drop by sometime, Monik, as soon as I can get my place fit for habitation.”

Poor, ignorant man. He had no idea that he was going to be dragged to Villa Rosa. On-a-leash.

“Mathias, do. Please.”

Reviewed by Sucharita Dutta-Asane

Woman to Woman Stories

Title: Woman to Woman Stories
Author: Madhulika Liddle
Publisher: Speaking Tiger
Pages: 176
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The title of Madhulika Liddle’s 2017 collection, Woman to Woman Stories, draws us into sororities with the whispered promise of shared secrets. One could think, conveniently enough, of images culled from life, literature, movies – the murmur of shared afternoons, coffee table chat, restroom gossip or the giggles, chatter and tears of a morning spent amid pickles and spices drying in the sun, the aroma mingling with the salt and tanginess of the telling and the sun-warmed terrace… woman to woman. Yet, the title beguiles, for the book’s cover lays out a warning within this seemingly casual – the shadow of death, of violence, of abuse, of beauty that could slip through the fingers any moment. This then is no book of snug tales; these are stories of being a woman, of beauty and hope perhaps, but primarily of the underside of her life and lived experiences.

Woman to Woman Stories is Madhulika Liddle’s shout out to listen, and to listen with care, with humour when needed, with compassion, anger, love, empathy. These are stories told without frills, as in ‘Ambika, Mother Goddess’, not an unusual narrative, the kind that screams out to us daily from television screens and newspaper headlines – the rape of a minor in a nondescript alley of her city. Her life, it is obvious, was never hers to live, a continuum from her mother to her and to her new born daughter. The narrative doesn’t overtly ask the question but leaves its shadow in the reader’s mind, a question that rises to the surface with frightful intensity because of its possibility: will Ambika’s daughter live a similar narrative?

The initial stories are told with an apparent simplicity that shouldn’t fool the reader. As one progresses into the collection, the stories are less innocent, the emotions more tangled, complex. Told primarily from the perspective of a child at play, ‘Mala’ meanders through a house and the spaces that surround it, hinting innocuously at human lives and their equations, with just a sliver of a threat hanging around it. When the threat materialises, it is conveyed harmlessly but leaves behind its resonances, the discomfort stronger for the casual way in which it is inserted into the structure.

By Mitali Chakravarty

Singapore Literature Prize 2018
Singapore Literature Prize 2018

On 19th June, 2018, the Singapore Book Council (SBC) announced 50 shortlisted titles for the Singapore Literary Prize (SLP) 2018.

Twelve judges, including prominent writers like Isa Kamari and Alfian Sa’at were part of the panel of judges who whetted English, Chinese, Malay and Tamil entries by Singaporean or Permanent Resident authors before shortlisting the books. Awards will be given out in twelve categories in a ceremony on 6th  August 2018. The categories span the four official languages of Singapore and three genres — fiction, creative non-fiction and poetry.

shortlisted authors 2018
Singapore Literature Prize 2018 – shortlisted writers

As the SBC turns fifty this year, Mr William Phuan, the Executive Director, announced that the event would be opened to the public for the first time. Admission will be free by registration at http://slp2018ceremony.peatix.com/

William Phuan
Singapore Literature Prize 2018 – William Phuan

A number of outreach events have been planned to create awareness among the public, including talks by shortlisted authors in bookshops, schools and National Libraries. From July 16th to September 8th , former SLP winning titles will be displayed at the Bras Basah National Library on level 9 in an exhibition titled “Celebrating Our Writers: The Journey of Singapore Literature Prize”. Besides reaching out to people on social media, readers will also be encouraged to guess the winners of the awards as well as choose the best cover designs, added Mr Phuan.

Singapore Book Council (SBC) Press release: Remembering our children’s literary heritage & becoming future ready at 9th Asian Festival of Children’s Content 2018

Singapore Book Council

SINGAPORE, 30 May 2018 – Early bird ticket sales for the 9th edition of the Asian Festival of Children’s Content (AFCC) kicks off today. Running for three days from 6 to 8 September 2018 at the National Library, its theme is Imagine-Asia with Singapore as its Country of Focus to celebrate local children’s literature.

Over 90 Singapore and international writers, illustrators, publishers, storytellers, educators and media producers from 14 countries such as Australia, Indonesia, Japan, Philippines, the UK and US will be featured. Notable speakers include renowned Japanese picture book author and illustrator Satoshi Kitamura; UK publisher Sarah Odedina, who has worked with authors such as J.K. Rowling and Neil Gaiman, and the husband-and-wife graphic novelists and digital storytellers, Colin Goh and Yen Yen Woo of Dim Sum Warriors,.

This year’s AFCC will celebrate Singapore as the Country of Focus in conjunction with the 50th anniversary of Singapore Book Council (SBC). The festival will showcase Singapore’s literary heritage in children’s books, whilst highlighting the new means of content creation and digital platforms for storytelling.

An exhibition to honour pioneer Singapore illustrator, the late Kwan Shan Mei, will showcase some of her award-winning illustrations. Award-winning author Suchen Christine Lim will be giving the annual Children’s Literature Lecture. To enable the industry practitioners to stay abreast of digital trends that have changed the way readers consume stories, AFCC will be featuring sessions that look at digital and cross-platform storytelling, including AR (augmented reality) and VR (virtual reality) technologies.