Politics

Hong Kong Poet Kit Fan: How ‘Writing Poetry is Largely a Solo Act’

By Tammy Lai-Ming Ho and Jason Eng Hun Lee

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Author of two poetry collections, Kit Fan (范進傑) was born in 1979 in Hong Kong and currently resides in the UK. His first volume Paper Scissors Stone (Hong Kong University Press, 2011) won the inaugural Hong Kong University (HKU) Poetry Prize, and his second collection As Slow As Possible (Arc, 2018) was a Poetry Book Society Recommendation for Autumn 2018 and listed in The Guardian’s 50 biggest books of Autumn 2018 and in The Irish Times Best Poetry Books of the Year. Other accolades include being shortlisted for the 2017 TLS Mick Imlah Poetry Prize and The Guardian 4th Estate BAME Short Story Prize consecutively in 2017 and 2018. His novel-in-progress Diamond Hill, about the last shanty town in Hong Kong, received a Northern Writers Award 2018. A regular reviewer for the Poetry Review, Kit’s work traverses between Hong Kong and European cultures and histories, as well as between poetry and fiction.

As part of an ongoing collaborative project entitled ‘Anglophone City Poetics and the Asian Experience’, Kit talks to Tammy Lai-Ming Ho and Jason Eng Hun Lee about his first poetic influences, his migration to the UK as a young writer, his musings on Hong Kong from afar, and his perspectives on the evolving Asian cityscape.

Tammy Ho & Jason Lee: How long have you been writing poetry? Can you list some important moments in your early experiences as a poet?

Kit: I’ve been writing for roughly 18 years. One of my first inspirations came from a commission by Hugh Haughton who challenged me to write a poem about me being brought up by and in a library. Other important moments include: reading Elizabeth Bishop’s ‘Crusoe in England’; meeting Christopher Reid who asked me to send my poems out to editors; having my poem ‘Reading Thom Gunn’s Notebooks at Bancroft Library’ published in the Poetry Review (UK).

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Book Review: Becoming by Michelle Obama

By Mariyam Haider

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Title: Becoming

Author: Michelle Obama

Publishers: Crown Publishing Group, Viking Press

Michelle Obama’s memoir, Becoming, is powerful, personal and fulfilling. Her writing takes us with her on her journey, from growing up in Euclid Avenue on the South Side of Chicago to calling White House her home. In the course of this larger-than-life story, Michelle Obama offers her readers an insight into how a strong value-based system allowed her to take risks, commit mistakes and learn from them, address failure as a mentor, be honest to herself and develop authenticity as her crusading feature.

The book is divided into three segments: Becoming Me, Becoming Us and Becoming More. She sets the theme of the book in the preface by writing, “I think it’s one of the most useless questions an adult can ask a child — What do you want to be when you grow up? As if growing up is finite. As if at some point you become something and that’s the end.” The title of the book is thus the threadline of how each one of us is in a constant flux of evolution and rediscovery, embracing the unknown and resonating with the deeper voice that commands us to remain true to ourselves.

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Book review: Patna Blues by Abdullah Khan

Reviewed by Saba Mahmood Bashir

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Title: Patna Blues
Author: Abdullah Khan
Publishing House: Juggernaut Books
Year of publication: 2018
Price: Rs 499

 

Yeh maikad-e-ishq hai yahan  jaam-e-junoon milta hain
Giriya-e-deed-e-Qaisha wa Qalb-e-Laila ka khoon milta hai

To say that Patna Blues, the debut novel of Abdullah Khan, is about the life of a young boy, an IAS aspirant from Patna, is limiting the scope of the book and the author. Strongly set in the history and politics of the nation of the last 30 years or so, the story is woven on the desire of a middle class, hardworking family to see their son as an administrative officer. What gets sewn in the storyline is the infatuation of Arif Khan, the protagonist, with a Hindu married woman, Sumitra, who is much older to him. However, in actuality what lies within the fabric of the story is the socio-political situation of the country in the background and which keeps jutting out throughout the main narrative. Right from the building up of the political mood of the nation before the demolition of the Babri Masjid to the Gujarat carnage and the then Chief Minister being denied the US visa, the story continues along the arc of political changes that happen in the country. One notices the changes in the storyline with the rise of extremism and its impact on the common man. There are references of how his honest father, a respectable police inspector, had to pay the price for his honesty, and how the corrupt officials tried to settle scores with him after he retired. This issue of corruption has been dealt with rather sensitively, portraying at length the helplessness of an honest officer. Again, when Arif’s younger brother, an aspiring actor, goes missing from a Muslim dominated locality in Delhi, there are suggestions of corruption and an existing fear of the police.

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2017 in Books

As 2018 waits tantalizingly at the threshold, we look back on a year in which dissent and speaking up became necessary to survive, when books alone stepped up to the challenge, helped keep our sanity or question it. As we look ahead, there is a kind of willfulness in taking stock, a ritual with solemnity inherent to the idea. In a year when so much has been written, published and read, it is difficult to gather only a few names. Here is a list of 10 books (fiction) that we have read and loved and a quiet acknowledgment of those that space omits.

The Chocolate Saints – Jeet Thayil
Jeet Thayil’s book is rich in characters and stories. Homage to the world of art and literature, it is a startling book of incandescent prose, a masterpiece in the Roberto Bolaño mould. Narrated in a variety of voices and styles, The Chocolate Saints promises to become part of literature’s most memorable.

The Ministry of Utmost Happiness – Arundhati Roy
Roy’s second novel in two decades was a much anticipated book – the anticipation started, perhaps, from the day she won the Booker in 1997. It brings together many of the ideas that inform her non-fiction, speaking up with passion and compassion for ‘minorities’ across the socio-political-economic spectrum, making it a book of the times, for the times.

Leila – Prayag Akbar
Described as ‘dystopic’ by some reviewers, Leila is about a mother’s search for her daughter. Whether dystopic or not – the author certainly rejects categorizing – the novel uses the fantastical to probe urgent issues related to the urban spaces and the society we create and which we inhabit.

The Small Town Sea – Anees Salim
Small towns come to life in Anees Salim’s books; sorrow is a lasting trace and satire a way to deal with the sorrow. The Small Town Sea is about a son’s bereavement, the challenge he faces in being uprooted from the big city to a nondescript town and the unsettling aftermath of his father’s death.

Mrs C Remembers – Himanjali Sankar
The family is often a place of dys-function, of intense politics couched in familial love. Himanjali Sankar’s book relates the family with subtle story-telling, incisive observation and compassion. The first-person narration of Mrs C and her daughter Sohini heightens the sense of unease regarding credibility and layers the narrative of this Bengali family within which the mother’s mind slowly disintegrates and the daughter’s comes into its own.

Kitaab’s The Best Asian Short Stories (ed., Monideepa Sahu; series editor, Zafar Anjum)
Kitaab’s The Best Asian Short Stories explores the idea of what it is to be an Asian. The anthology combines fresh voices, emerging writers and established names from Asia – Jordan and Syria to Pakistan, India, Bangladesh, Singapore, Malaysia, The Philippines, Thailand, Japan and Korea. The stories transcend social and political divisions within which they arise, drawing readers into the lives and places they explore while simultaneously raising uneasy questions and probing ambiguities. Crafted with love, they continue to resonate after the last page.

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Book Excerpt: Accumulation by Segregation: Muslim Localities in Delhi by Ghazala Jamil

Muslim Localities in Delhi

Re-Imagining Political Contestation and Death (pp 116-120)

Political assembly and protest are also performances of citizenship status and claims. While enactment of violence by protesting publics with non-Muslim identity markers are considered routine and normalised, an assembly of protesting Muslims is potentially just another site of their fatal targeting. Another important example that effectively illustrates the preceding analysis is the case of the ‘Sealing Drive’ in Delhi in 2006.

The importance of this instance in the recent history of Delhi unveils complex dynamics of the political economy of built environments, the material logic of segregation, contestations, and negotiations of elite circuits with the unorganized sector in claiming their vision of the city, and biopolitics of the state.

The case exemplifies a tussle between big capital and elite networks represented by RWAs on the one hand, and traders and small manufacturers on the other. Elite RWAs insisted in getting this case filed at the High Court of Delhi that their sense of security, peace of mind, tranquillity, and aesthetic sensibilities were being off ended by business establishments within residential areas (Ghertner 2011; Bhuwania 2016). An appeal for preventing mixed land use was in line with the vision of the Delhi Master Plan, and on the agenda of previous Delhi state governments headed by the BJP and the Congress. The judge presiding over the case, Justice Sabharwal showing keen interest in the case passed a verdict which effectively read as a mass eviction notice to lakhs of establishments which were ‘illegal’ (Mehra 2012).

Allegations of misconduct on the part of Justice Sabharwal came to light later, illuminating the nexus between big capital and the judiciary (Roy 2007, Mid-day 2006). Justice Sabharwal’s son owned a real estate firm that gained substantially from an instance of demolitions as a result of the implementation of the court order by civic bodies.

The traders in Delhi have mainly been Punjabi Hindu–Sikh but many small traders and small manufacturers belong to various diverse social backgrounds too. Diya Mehra (2012) points out that the movement run by the traders’ association employed Partition rhetoric profusely. While on the other hand, they used the daily wage workers associated with their businesses to pitch up the protest against a judicial order which was anti-poor, anti-worker, and anti-unorganized sector.

During protracted protests, in which the traders associations were reluctant to go to the Supreme Court because it could have also given a judgement adversarial to their interest, the traders’ associations continuously negotiated with the state and Central Governments, the municipal corporation, as well as the Delhi Development Authority (DDA). Violence and rioting was also used strategically as a final device of pressurizing the state and elite networks. There were many incidents of rioting and damage to public property such as state transport buses. Eventually the government informed the court of its inability to implement the order as it would give rise to a law and order situation.

Ovais Sultan Khan, a participant of this study gave me an account of the occurrences that led to the shooting. This foretold law and order problem took place when the police opened fire at a protesting crowd in Seelampur on September 20, 2006.

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